Agfacolor Neu / Agfacolor

Subtractive 3 color: Chromogenic monopack, reversal (from 1936), negative/positive process (from 1939)
“The New Agfacolor Process; Agfa Ansco Corp., Binghamton, N. Y. A survey of the history of monopack or multilayer photographic color processes is given, including the coloring methods of greatest importance at the present time. These are: (a) ...

640 Images in 21 Galleries

Agfacolor Positiv Typ 5

Subtractive 3 color: Chromogenic monopack

1 Image

Chromogenic film stock

Subtractive 3 color: Chromogenic monopack

Chromogenic development

Subtractive 3 color: Chromogenic development

Kodachrome

Subtractive 3 color: Chromogenic monopack, reversal, 8 and 16 mm

“In 1930 Mannes and Godowsky were invited to join the staff of the Kodak Research Laboratory, where they concentrated on methods of processing multilayer films, while their colleagues worked out ways of manufacturing them. The result was the new Kodachrome film, launched in 1935. Three very thin emulsion layers were coated on film base, the emulsions being sensitised with non-wandering dyes to red, green and blue light, the red-sensitive layer being at the bottom.” (Coe, Brian (1978): Colour Photography. The First Hundred Years 1840-1940. London: Ash & Grant, pp. 121 ff.)

92 Images in 6 Galleries

Konicolor

Subtractive 3 color

“The Konicolor system, introduced by Konishiroku Shashin Kogyo (Now Konica Minolta Holdings, Inc.), split the image into three colors and shot them separately onto three b&w films. In that sense it had something in common with the US ‘Technicolor system’, but this was not a contact print with color dye to create positive film, but used coated emulsion to develop each color in a triple process, which is peculiar. […].”

Chromart Simplex

Subtractive 2 color: Chromogenic monopack

Chromart Tricolor

Subtractive 3 color: Chromogenic monopack

Polacolor Instant Photography

instant still photography
“Polacolor was commercialized in 1963 and became an immediate success. It was acclaimed as the “most outstanding single advance in photographic science made during this century” (Crawley 1963). Indeed, Polacolor introduced important new ...

4 Images

Eastman Ektachrome 7251

Subtractive 3 color: Chromogenic monopack, high speed, color reversal, 16mm, daylight

Eastman Color Print Film 5384 / 7384

Subtractive 3 color: Chromogenic monopack

Eastman Color High Speed Negative Film 7292

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 5381 (1950)

Subtractive 3 color: Chromogenic monopack
Not to be confused with the Eastman Color Print Film 5381 / 7381 from 1970.

Eastman Color Internegative Film 5243

Subtractive 3 color: Chromogenic monopack

Eastman Color Internegative Film 5245

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 5382 / 7382

Subtractive 3 color: Chromogenic monopack

Eastman Television Recording Film 5374 / 7374

Subtractive 3 color: Chromogenic monopack

Eastman Reversal Color Print Film Type 5269 / 7387

Subtractive 3 color: Chromogenic monopack, reversal
Eastman Kodak reversal film duplication stock for (semi)professional use. Replaced Type 5265. Type 7387 introduced in 1964 as improved version. Difficult to see the difference (BL).

Eastman Color Internegative Film 5270 / 7270

Subtractive 3 color: Chromogenic monopack

Eastman Color Intermedeate Film 5253

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 7383

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 5385 / 7385

Subtractive 3 color: Chromogenic monopack

Eastman RP Negative Film 7229

Subtractive 3 color: Chromogenic monopack

Eastman Reversal Print Film 7387

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm

Eastman Color Print Film 5744

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 7380

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Direct MP Film 5360 / 7360

Subtractive 3 color: Chromogenic monopack

Eastman Color Reversal Intermedeate Film 5249 / 7249

Subtractive 3 color: Chromogenic monopack, reversal

Eastman Color SP Print Film 5383 / 7383

Subtractive 3 color: Chromogenic monopack

Eastman Color SP Low Contrast (minus 25%) Print Film 5738 / 7738

Subtractive 3 color: Chromogenic monopack

Eastman Color LF Print Film 7378

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Color LFSP Film 7379

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Color II Negative, type 5247 / 7247 F

Subtractive 3 color: Chromogenic monopack

Eastman Color II Internegative Film 5272 / 7272 S

Subtractive 3 color: Chromogenic monopack

Eastman Color Negative Film 7291

Subtractive 3 color: Chromogenic monopack, Tungsten, 100 ASA

Eastman Color LC Print Film 5380 / 7380

Subtractive 3 color: Chromogenic monopack

Eastman Fine Grain Release Positive Film 5302 / 7302

Subtractive 3 color: Chromogenic monopack

Eastman EXR 100T Color Negative Film 7248

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman EXR 50D Color Negative Film 5245 / 7245

Subtractive 3 color: Chromogenic monopack

Eastman EXR 500T Color Negative Film 5296

Subtractive 3 color: Chromogenic monopack

Eastman EXR 100T Color Negative Film 5248

Subtractive 3 color: Chromogenic monopack, Tungsten, 100 ASA

Eastman EXR 500T Color Negative Film 7296

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman EXR Color Intermediate Film 5244 / 7244

Subtractive 3 color: Chromogenic monopack

Eastman EXR 200T Color Negative Film 5293 / 7293

Subtractive 3 color: Chromogenic monopack

Experimental Eastman Separation Film (5238)

Subtractive 3 color: Chromogenic monopack

Eastman EXR Color Print Film 5386 / 7386

Subtractive 3 color: Chromogenic monopack

Eastman Color LC Print Film 5385 / 7385

Subtractive 3 color: Chromogenic monopack

Eastman EXR 500T 5298 / 7298 (T)

Subtractive 3 color: Chromogenic monopack

Eastman EXR 200T 5287 / 7287 Ultra Latitude (W)

Subtractive 3 color: Chromogenic monopack, Tungsten, 200 ASA

Eastman EXR Primetime 640T Teleproduction Film 5600 (P)

Subtractive 3 color: Chromogenic monopack, Tungsten, 650 ASA