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    289 Results


    Gallery | (60 images)

    Immensee (1943)

    Gallery | (64 images)

    Black Narcissus (1947)

    Gallery | (42 images)

    Wilson (1944)

    Gallery | (10 images)

    Dr. Cyclops (1940)

    Gallery | (52 images)

    Blanche Fury (1948)

    Gallery | (17 images)

    Perlen (1940)

    Gallery | (5 images)

    Fantasia (1940)

    Gallery | (11 images)

    Night and Day (1946)

    Gallery | (71 images)

    Grosse Freiheit Nr. 7 (1944)

    Gallery | (84 images)

    Opfergang (1944)

    Gallery | (23 images)

    Heaven Can Wait (1943)

    Image

    Thomsoncolor Test Jour de fête 1949

    Gallery | (11 images)

    The Black Swan (1942)

    Quote

    Gitt, Robert; Dayton, Richard (1984): Restoring Becky Sharp. In: American Cinematographer, 65,10, pp. 99–106.

    Quote

    Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color Design in the 1930s. Austin: University of Texas Press, on pp. 58–60.

    Quote

    Street, Sarah; Watkins, Liz (2013): Interview. Christopher Challis. In: Simon Brown, Sarah Street and Liz Watkins (eds.): British Colour Cinema. Practices and Theories. Hampshire: Palgrave Macmillan, pp. 10–30.

    Quote

    Slide, Anthony (1985): The Return of Becky Sharp. In: Films in Review, 36, Mar., pp. 148–153.

    Quote

    Gunning, Tom (2013): Where Do Colors Go at Night? In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 81–92, on pp. 82–86.