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    44 Results


    Gallery | (75 images)

    Draughtsman's Contract (1982)

    Gallery | (37 images)

    Das Boot (1981)

    Gallery | (53 images)

    Flashdance (1983)

    Gallery | (16 images)

    [Berlin Nikolaiviertel] (1986)

    Gallery | (42 images)

    [Pfingsten 1981] (1981)

    Gallery | (29 images)

    Aliens (1986)

    Gallery | (41 images)

    Batman (1989)

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinema. Milan: Mazzotta, pp. 126–136, on p. 129. (in French)

    Quote

    Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color Design in the 1930s. Austin: University of Texas Press, on pp. 58–60.

    Quote

    Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color Design in the 1930s. Austin: University of Texas Press, on pp. 9–13.

    Quote

    Slide, Anthony (1985): The Return of Becky Sharp. In: Films in Review, 36, Mar., pp. 148–153.

    Quote

    Gunning, Tom (2013): Where Do Colors Go at Night? In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 81–92, on pp. 82–86.

    Quote

    Gunning, Tom (2013): Where Do Colors Go at Night? In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 81–92, on pp. 82–86.

    Quote

    Al Salti, Nadia (2009): Le rouge sang du nouvel Hollywood. Bonnie and Clyde, The Wild Bunch, The Big Save. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 417–425, on pp. 417–425. (in French)

    Quote

    Al Salti, Nadia (2009): Le rouge sang du nouvel Hollywood. Bonnie and Clyde, The Wild Bunch, The Big Save. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 417–425, on p. 425. (in French)

    Quote

    Coote, Jack H. (1993): The Illustrated History of Colour Photography. Surbiton, Surrey: Fountain Press, on pp. 157–163.

    Quote

    Coote, Jack H. (1993): The Illustrated History of Colour Photography. Surbiton, Surrey: Fountain Press, on p. 160.

    Quote

    Degenhardt, Inge (1996): On the Absence and Presence of Colour in Film. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 88–102.

    Quote

    Degenhardt, Inge (1996): On the Absence and Presence of Colour in Film. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 88–102.

    Quote

    Watkins, Liz (2013): Interview. João S. De Oliveira, Hon. FBKS. In: Simon Brown, Sarah Street and Liz Watkins (eds.): British Colour Cinema. Practices and Theories. Hampshire: Palgrave Macmillan, pp. 171–185, on pp. 175–185.