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    15 Results

    Image

    The Garden of Allah (1936)


    Image

    Blanche Fury (1948)

    Gallery | (17 images)

    Phobie d’impulsion (1967)

    Image

    West Side Story (1961)

    Quote

    Vincent-Arnaud, Nathalie (2009): Contrepoints chromatiques. Couleur et énonciation musicale dans Gattaca d’Andrew Niccol (1997). In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 358–369, on pp. 360–369. (in French)

    Quote

    Rother, Rainer (1992): Suggestion der Farben. Die Doppelproduktion Immensee und Opfergang. In: Hans-Michael Bock and Michael Töteberg (eds.): Das Ufa-Buch. Kunst und Krisen, Stars und Regisseure, Wirtschaft und Politik. Die internationale Geschichte von Deutschlands grösstem Film-Konzern. Frankfurt a.M.: Zweitausendeins, pp. 452–455, on pp. 454–455. (in German)

    Quote

    Rother, Rainer (1992): Suggestion der Farben. Die Doppelproduktion Immensee und Opfergang. In: Hans-Michael Bock and Michael Töteberg (eds.): Das Ufa-Buch. Kunst und Krisen, Stars und Regisseure, Wirtschaft und Politik. Die internationale Geschichte von Deutschlands grösstem Film-Konzern. Frankfurt a.M.: Zweitausendeins, pp. 452–455, on pp. 453–455. (in German)

    Quote

    Pierotti, Federico (2016): Un’archeologia del colore nel cinema italiano. Dal Technicolor ad Antonioni. Pisa: Edizioni ETS, on pp. 200–206. (in Italian)

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 96–97. (in Italian)

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 132–134. (in Italian)

    Quote

    Holden, Lansing C. (1937): COLOR! The New Language of the Screen. In: Cinema Arts, 1,2, July 1937, p. 64.

    Quote

    Yumibe, Joshua (2012): Moving Colors. Early Film, Mass Culture, Modernism. New Brunswick et al.: Rutgers University Press, pp. 97–101.

    Quote

    Yumibe, Joshua (2012): Moving Colors. Early Film, Mass Culture, Modernism. New Brunswick et al.: Rutgers University Press, pp. 76–77.

    Quote

    Uricchio, William (1996): Reflections on Color. The Possibilities for Dramatic Articulation in The Lonedale Operator. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 191–198.

    Quote

    Sharits, Paul (1966): Red, Blue, Godard. In: Film Quarterly, 19,4, 1966, pp. 24–29, on pp. 24–26.