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    130 Results


    Gallery | (32 images)

    La vie et la passion de Jésus Christ (1907)

    Gallery | (18 images)

    Les petits vagabonds (1905)

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 43–47. (in Italian)

    Quote

    Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 43–47. (in Italian)

    Quote

    Gili, Jean A. (1992): Cyrano de Bergerac. In: Yann Tobin (ed.): Dossier. La couleur du cinéma. In: Positif, 375–376, May, pp. 121–158, on p. 125. (in French)

    Quote

    Malthête, Jacques (1984): Méliès et la couleur. In: Madeleine Malthête-Méliès (ed.): Méliès et la naissance du spectacle cinématographique. Paris: Klincksieck, pp. 185–197, on pp. 186–196. (in French)

    Quote

    Elliott, Eric (1934): Wither colour? In: Cinema Quarterly, 2,3, Spring, pp. 161–165.

    Quote

    Elliott, Eric (1934): Wither colour? In: Cinema Quarterly, 2,3, Spring, pp. 161–165.

    Quote

    Rühl, Richard (1923): Fatmes Errettung im Farbenfilm. In: Film-Kurier, 3.3.1923. (in German)

    Quote

    Rühl, Richard (1923): Virage. In: Film-Kurier, 12.2.1923. (in German)

    Quote

    Rühl, Richard (1923): Virage. In: Film-Kurier, 12.2.1923. (in German)

    Quote

    Gunning, Tom (2013): Where Do Colors Go at Night? In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 81–92, on pp. 82–86.

    Quote

    Gunning, Tom (2013): Where Do Colors Go at Night? In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 81–92, on pp. 82–86.

    Quote

    Degenhardt, Inge (1996): On the Absence and Presence of Colour in Film. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 88–102.

    Quote

    Degenhardt, Inge (1996): On the Absence and Presence of Colour in Film. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 88–102.

    Quote

    Read, Paul (1998): Tinting and Toning Techniques and their Adaption for the Restoration of Archive Film. In: Luciano Berriatúa et al. (eds.): Tutti i colori del mondo. Il colore nei mass media tra 1900 e 1930. = All the colours of the world. Reggio Emilia: Diabasis, pp. 157–167, on pp. 157–158.

    Quote

    Traber, Bodo (1995): Dramaturgische Funktionen monochromer Farbgebung im Stummfilm. In: Karl-Dietmar Möller-Nass Möller-Nass, Hasko Schneider and Hans J. Wulff (eds.): 1. Film- und Fernsehwissenschaftliches Kolloquium. Münster: MAkS, pp. 30–36, on pp. 31–33. (in German)

    Quote

    Traber, Bodo (1995): Dramaturgische Funktionen monochromer Farbgebung im Stummfilm. In: Karl-Dietmar Möller-Nass Möller-Nass, Hasko Schneider and Hans J. Wulff (eds.): 1. Film- und Fernsehwissenschaftliches Kolloquium. Münster: MAkS, pp. 30–36, on pp. 31–33. (in German)

    Quote

    Traber, Bodo (1995): Dramaturgische Funktionen monochromer Farbgebung im Stummfilm. In: Karl-Dietmar Möller-Nass Möller-Nass, Hasko Schneider and Hans J. Wulff (eds.): 1. Film- und Fernsehwissenschaftliches Kolloquium. Münster: MAkS, pp. 30–36, on pp. 31–33. (in German)