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    166 Results



    Image

    A Colour Box (1935)

    Gallery | (17 images)

    Phobie d’impulsion (1967)

    Quote

    Eastman Kodak Company (1927): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY: Eastman Kodak, on pp. 36–39.

    Quote

    Eastman Kodak Company (1927): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY: Eastman Kodak, on pp. 30–32.

    Quote

    Eastman Kodak Company (1927): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY: Eastman Kodak, on p. 25.

    Quote

    Eastman Kodak Company (1927): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY: Eastman Kodak, on p. 24.

    Quote

    Verbrugghe, R. G. L. (1968): A New Color Print Filmstock. In: Journal of the Society of Motion Picture and Television Engineers, 77,1, pp. 29–33.

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on pp. 131–132. (in German)

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on pp. 131–132. (in German)

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on p. 147. (in German)

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on p. 147. (in German)

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on pp. 131–132. (in German)

    Quote

    Harsh, H. C.; Schadlich, Karl (1949): Laboratory for Development Work on Color Motion Pictures. In: Journal of the Society of Motion Picture and Television Engineers, 53,7, pp. 50–57.

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    Anonymous (1964): Technical Digest. In: The British Journal of Photography, 111, 13 March 1964, p. 211.

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    Harsh, H. C.; Friedman, J. S. (1948): New One-Strip Color-Separation Film in Motion Picture Production. In: Journal of the Society of Motion Picture Engineers, 50,1, pp. 8–13.

    Quote

    Verbrugghe, R. G. L.; Seys, W. A.; Eynard, R. A. (1971): A New Color-Print Film for Universal Applications in Color Printing and Processing Systems. In: Journal of the Society of Motion Picture and Television Engineers, 80,7, pp. 559–563.

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    Meeussen, Louis A. (1964): The Gevacolor Positive Film Type 953. In: Journal of the Society of Motion Picture and Television Engineers, 73,1, pp. 18–21.

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    Forrest, John L. (1958): 16mm Super Anscochrome Films. In: Journal of the Society of Motion Picture and Television Engineers, 67,10, pp. 691–693.

    Quote

    Forrest, John L. (1958): 16mm Super Anscochrome Films. In: Journal of the Society of Motion Picture and Television Engineers, 67,10, pp. 691–693.

    Quote

    Duerr, H.H.; Harsh, H. C. (1946): Ansco Color for Professional Motion Pictures. In: Journal of the Society of Motion Picture and Television Engineers, 46,5, pp. 357–367.

    Quote

    Duerr, H.H.; Harsh, H. C. (1946): Ansco Color for Professional Motion Pictures. In: Journal of the Society of Motion Picture and Television Engineers, 46,5, pp. 357–367.

    Quote

    Ailliet, M. W.; Seys, W. A.; Verbrugghe, R. G. L. (1975): A New Gevacolor Print Film. Type 986. In: Journal of the Society of Motion Picture and Television Engineers, 84,6, pp. 474–476.