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    46 Results



    Image

    Little Nemo (USA 1911)

    Quote

    Watkins, Liz (2013): Herbert G. Ponting’s Materials and Texts. In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 230–242, on pp. 233–235.

    Quote

    Watkins, Liz (2013): Herbert G. Ponting’s Materials and Texts. In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 230–242, on pp. 230–240.

    Gallery | (19 images)

    Little Nemo (USA 1911)

    Quote

    Watkins, Liz (2013): Herbert G. Ponting’s Materials and Texts. In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 230–242, on pp. 230–240.

    Quote

    Malthête, Jacques (1984): Méliès et la couleur. In: Madeleine Malthête-Méliès (ed.): Méliès et la naissance du spectacle cinématographique. Paris: Klincksieck, pp. 185–197, on pp. 186–196. (in French)

    Quote

    Yumibe, Joshua (2012): Moving Colors. Early Film, Mass Culture, Modernism. New Brunswick et al.: Rutgers University Press, pp. 78 f.

    Quote

    Watkins, Liz (2013): Herbert G. Ponting’s Materials and Texts. In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 230–242, on pp. 233–235.

    Quote

    Yumibe, Joshua (2013): The Illuminated Fairytale. The Colors of Paul Fejo’s Lonesome (1928). In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 127–137.

    Quote

    Yumibe, Joshua (2013): The Illuminated Fairytale. The Colors of Paul Fejo’s Lonesome (1928). In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 127–137.

    Quote

    Yumibe, Joshua (2013): The Illuminated Fairytale. The Colors of Paul Fejo’s Lonesome (1928). In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 127–137.

    Quote

    Forch, Carl (1921): Die Herstellung kolorierter Kinematografien. In: Kinotechnik, 3,7, pp. 248–252. (in German)

    Quote

    Forch, Carl (1921): Die Herstellung kolorierter Kinematografien. In: Kinotechnik, 3,7, pp. 248–252, on p. 248. (in German)

    Quote

    Yumibe, Joshua (2013): L’espace de la couleur comme espace de jeu dans la littérature enfantine, le cinéma des premiers temps et les fééries. In: 1895. Revue d’Histoire du Cinéma, 71, pp. 33–46, on pp. 37–46. (in French)

    Quote

    Aubert, Michelle (1992): Pour une déontologie de la restauration des films en couleur. In: Michel Ciment (ed.): Ciné mémoire. Colloque international d’information (7-9 octobre 1991). Paris: Femis, pp. 25–28, on pp. 26–27. (in French)

    Quote

    Aubert, Michelle (1992): Pour une déontologie de la restauration des films en couleur. In: Michel Ciment (ed.): Ciné mémoire. Colloque international d’information (7-9 octobre 1991). Paris: Femis, pp. 25–28, on pp. 26–27. (in French)

    Quote

    Aubert, Michelle (1992): Pour une déontologie de la restauration des films en couleur. In: Michel Ciment (ed.): Ciné mémoire. Colloque international d’information (7-9 octobre 1991). Paris: Femis, pp. 25–28, on pp. 26–27. (in French)