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    30 Results

    Quote

    Slide, Anthony (1985): The Return of Becky Sharp. In: Films in Review, 36, Mar., pp. 148–153.

    Quote

    Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color Design in the 1930s. Austin: University of Texas Press, on pp. 58–60.

    Quote

    Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color Design in the 1930s. Austin: University of Texas Press, on pp. 49-71.

    Quote

    Street, Sarah; Watkins, Liz (2013): Interview. Christopher Challis. In: Simon Brown, Sarah Street and Liz Watkins (eds.): British Colour Cinema. Practices and Theories. Hampshire: Palgrave Macmillan, pp. 10–30.

    Gallery | (7 images)

    Becky Sharp (1935)

    Gallery | (23 images)

    Blood and Sand (1941)

    Quote

    Gitt, Robert; Dayton, Richard (1984): Restoring Becky Sharp. In: American Cinematographer, 65,10, pp. 99–106.

    Quote

    Slide, Anthony (1985): The Return of Becky Sharp. In: Films in Review, 36, Mar., pp. 148–153.

    Quote

    Basten, Fred E. (1980): Glorious Technicolor. The Movies’ Magic Rainbow. South Brunswick: Barnes, on pp. 127–129.

    Quote

    Higgins, Scott (2000): Demonstrating Three-Colour Technicolor: “Early Three-Colour Aesthetics and Design”. In: Film History, Vol. 12, No. 4, Color Film (2000), pp. 358–383, on p. 376.

    Quote

    Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on p. 133. (in French)

    Quote

    Mamoulian, Rouben (1960): Color and Light in Films. The Esthetics of Colour. In: Film Culture, 21, pp. 68–79.