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    170 Results


    Quote

    Eastman Kodak Company (1927): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY: Eastman Kodak, on pp. 32–34.

    Quote

    Eastman Kodak Company (1927): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY: Eastman Kodak, on pp. 30–32.

    Quote

    Eastman Kodak Company (1927): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY: Eastman Kodak, on p. 25.

    Quote

    Eastman Kodak Company (1927): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY: Eastman Kodak, on pp. 23–24.

    Quote

    Eastman Kodak Company (1927): Tinting and Toning of Eastman Positive Motion Picture Film. Rochester, NY: Eastman Kodak, on p. 6.

    Quote

    Verbrugghe, R. G. L. (1968): A New Color Print Filmstock. In: Journal of the Society of Motion Picture and Television Engineers, 77,1, pp. 29–33.

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on pp. 131–132. (in German)

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on pp. 131–132. (in German)

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on p. 147. (in German)

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on p. 147. (in German)

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on pp. 131–132. (in German)

    Quote

    Verbrugghe, R. G. L.; Seys, W. A.; Eynard, R. A. (1971): A New Color-Print Film for Universal Applications in Color Printing and Processing Systems. In: Journal of the Society of Motion Picture and Television Engineers, 80,7, pp. 559–563.

    Quote

    Meeussen, Louis A. (1964): The Gevacolor Positive Film Type 953. In: Journal of the Society of Motion Picture and Television Engineers, 73,1, pp. 18–21.

    Quote

    Ailliet, M. W.; Seys, W. A.; Verbrugghe, R. G. L. (1975): A New Gevacolor Print Film. Type 986. In: Journal of the Society of Motion Picture and Television Engineers, 84,6, pp. 474–476.

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on p. 154. (in German)

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on p. 114. (in German)

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on p. 147. (in German)

    Quote

    Petersen, F. W. (1949): Kommt das universale Farbfilmkopiermaterial? In: Bild und Ton, 2,10, p. 310. (in German)

    Quote

    Petersen, F. W. (1949): Kommt das universale Farbfilmkopiermaterial? In: Bild und Ton, 2,10, p. 310. (in German)

    Quote

    Petersen, F. W. (1949): Kommt das universale Farbfilmkopiermaterial? In: Bild und Ton, 2,10, p. 310. (in German)

    Quote

    Brauer, Egon (1964): Frühjahrsmesse 1964 Leipzig. In: Bild und Ton, 17,5, pp. 144–150, on pp. 148–149. (in German)

    Quote

    Ray, Reid H. (1952): Use of Ansco Color Film in Commercial Production. In: Journal of the Society of Motion Picture and Television Engineers, 59,11, pp. 406–409.

    Quote

    Ray, Reid H. (1952): Use of Ansco Color Film in Commercial Production. In: Journal of the Society of Motion Picture and Television Engineers, 59,11, pp. 406–409.

    Quote

    Horowitz, Paul; Weller, William R. (1958): Some Considerations of Eastman Color Print Film Dye Stability. In: Journal of the Society of Motion Picture and Television Engineers, 67,6, pp. 401–404.

    Quote

    Malthête, Jacques (1984): Méliès et la couleur. In: Madeleine Malthête-Méliès (ed.): Méliès et la naissance du spectacle cinématographique. Paris: Klincksieck, pp. 185–197, on pp. 186–196. (in French)

    Quote

    Gitt, Robert; Dayton, Richard (1984): Restoring Becky Sharp. In: American Cinematographer, 65,10, pp. 99–106.