• Aesthetics (647)
  • Archive (666)
  • Color Order System (7)
  • Color Vision (62)
  • Committees (7)
  • Companies (1,104)
  • Economics (390)
  • Genre (831)
  • Location (1,067)
  • Narration (27)
  • Person (841)
  • Restoration (97)
  • Subject (203)
  • Technology (1,465)
  • theatre (1)
  • Time (1,402)
  • Unidentified (1)
    • Category

    • Filter

    • Show only

    • Reset

    24 Results

    Quote

    Harsh, H. C.; Schadlich, Karl (1949): Laboratory for Development Work on Color Motion Pictures. In: Journal of the Society of Motion Picture and Television Engineers, 53,7, pp. 50–57.

    Quote

    Harsh, H. C.; Friedman, J. S. (1948): New One-Strip Color-Separation Film in Motion Picture Production. In: Journal of the Society of Motion Picture Engineers, 50,1, pp. 8–13.

    Quote

    (Brune, Wolfgang (1953): Die Technik des Farbfilms vervollkommnen. In: Bild und Ton, 6,5, pp. 132–134.) (in German)

    Quote

    (Brune, Wolfgang (1953): Die Technik des Farbfilms vervollkommnen. In: Bild und Ton, 6,5, pp. 132–134.) (in German)

    Quote

    Fischer, Rudolf (1913): Toning Bromide Prints. In: The British Journal of Photography, 60, p. 712.

    Quote

    Horowitz, Paul; Weller, William R. (1958): Some Considerations of Eastman Color Print Film Dye Stability. In: Journal of the Society of Motion Picture and Television Engineers, 67,6, pp. 401–404.

    Quote

    Bates, J. E.; Runyan, I. V. (1949): Processing Control Procedures for Ansco Color Film. In: Journal of the Society of Motion Picture and Television Engineers, 53,7, pp. 3–24.

    Quote

    Idelson, Martin (1950): Note on Metol Analysis In Photographic Developers. In: Journal of the Society of Motion Picture and Television Engineers, 54,4, pp. 492–493.

    Quote

    Fischer, Rudolf (1913): Toning Bromide Prints. In: The British Journal of Photography, 60, p. 712.

    Quote

    Fischer, Rudolf (1913): Toning Bromide Prints. In: The British Journal of Photography, 60, p. 712.

    Quote

    Coote, Jack H. (1993): The Illustrated History of Colour Photography. Surbiton, Surrey: Fountain Press, on pp. 157–163.

    Quote

    Read, Paul (1998): Tinting and Toning Techniques and their Adaption for the Restoration of Archive Film. In: Luciano Berriatúa et al. (eds.): Tutti i colori del mondo. Il colore nei mass media tra 1900 e 1930. = All the colours of the world. Reggio Emilia: Diabasis, pp. 157‒167, on p. 163.

    Quote

    Read, Paul (1998): Tinting and Toning Techniques and their Adaption for the Restoration of Archive Film. In: Luciano Berriatúa et al. (eds.): Tutti i colori del mondo. Il colore nei mass media tra 1900 e 1930. = All the colours of the world. Reggio Emilia: Diabasis, pp. 157‒167, on p. 163.

    Quote

    Beckett, Clark; Morris, Robert A.; Schafer, Richard K.; Seemann, J. Marvin (1968): Preparation of Duplicate Negatives Using Eastman Color Reversal Intermediate Film. In: Journal of the Society of Motion Picture and Television Engineers, 77,10, pp. 1053–1056.

    Quote

    Huntley, John (1949): British Technicolor Films. Cornhill, London: Skelton Robinson, on pp. 205–208.

    Quote

    Ruivo, Céline (2013): Le Livre de fabrication de la compagnie générale des phonographes cinématographes et appareils de précision. À propos d’une source pour l’histoire des recherches sur la couleur chez Pathé Frères entre 1906 et 1908. In: 1895. Revue d’Histoire du Cinéma, 71, pp. 47–60, on pp. 56–58. (in French)

    Quote

    Ruivo, Céline (2013): Le Livre de fabrication de la compagnie générale des phonographes cinématographes et appareils de précision. À propos d’une source pour l’histoire des recherches sur la couleur chez Pathé Frères entre 1906 et 1908. In: 1895. Revue d’Histoire du Cinéma, 71, pp. 47–60, on pp. 54–56. (in French)

    Quote

    Ruivo, Céline (2013): Le Livre de fabrication de la compagnie générale des phonographes cinématographes et appareils de précision. À propos d’une source pour l’histoire des recherches sur la couleur chez Pathé Frères entre 1906 et 1908. In: 1895. Revue d’Histoire du Cinéma, 71, pp. 47–60, on pp. 51–53. (in French)