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    310 Results


    Quote

    Watkins, Liz (2015): Don’t Look Now. Transience and Text. In: Screen, 4,56, pp. 436–449, on p. 444.


    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)

    Quote

    (Block, Bruce A. (1983): Oscar Nominees for Cinematography Das Boot. In: American Cinematographer, 64,4, pp. 64–66, on pp. 64–66.)


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    La Vestale (1908)


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    L’Antre infernal (1905)


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    Rund um die Welt in 2 Stunden


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    Gentlemen Prefer Blondes (1953)

    Quote

    Vincent-Arnaud, Nathalie (2009): Contrepoints chromatiques. Couleur et énonciation musicale dans Gattaca d’Andrew Niccol (1997). In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 358–369, on pp. 360–369. (in French)


    Image

    Gentlemen Prefer Blondes (1953)


    Image

    Gentlemen Prefer Blondes (1953)


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    Pathé Manual (1926)


    Image

    L’Antre infernal (1905)


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    Agfa Kine-Handbuch [1925]

    Quote

    Al Salti, Nadia (2009): Le rouge sang du nouvel Hollywood. Bonnie and Clyde, The Wild Bunch, The Big Save. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 417–425, on pp. 421–424. (in French)


    Image

    Pathé Manual (1926)


    Image

    Gentlemen Prefer Blondes (1953)

    Image

    Gentlemen Prefer Blondes (1953)


    Image

    Pathé Manual (1926)


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    King of Jazz (1930)

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    Pathé Manual (1926)

    Quote

    Traber, Bodo (1995): Dramaturgische Funktionen monochromer Farbgebung im Stummfilm. In: Karl-Dietmar Möller-Nass Möller-Nass, Hasko Schneider and Hans J. Wulff (eds.): 1. Film- und Fernsehwissenschaftliches Kolloquium. Münster: MAkS, pp. 30–36, on pp. 33–34. (in German)


    Image

    Tinting and Toning of Eastman Positive Motion Picture Film (1927)


    Image

    La Vestale (1908)

    Quote

    Traber, Bodo (1995): Dramaturgische Funktionen monochromer Farbgebung im Stummfilm. In: Karl-Dietmar Möller-Nass Möller-Nass, Hasko Schneider and Hans J. Wulff (eds.): 1. Film- und Fernsehwissenschaftliches Kolloquium. Münster: MAkS, pp. 30–36, on pp. 32–35. (in German)


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    The Phantom of the Opera (1925)

    Quote

    Misek, Richard (2010): Chromatic Cinema. A History of Screen Color. Chichester: John Wiley & Sons, on pp. 142–143.


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    Blanche Fury (1948)

    Quote

    Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color Design in the 1930s. Austin: University of Texas Press, on pp. 9–13.


    Image

    The Black Swan (1942)


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    Agfa Kine-Handbuch [1925]