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    73 Results



    Image

    A Colour Box (1935)

    Gallery | (17 images)

    Phobie d’impulsion (1967)

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on p. 147. (in German)

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    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on p. 147. (in German)

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    Anonymous (1964): Technical Digest. In: The British Journal of Photography, 111, 13 March 1964, p. 211.

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    Forrest, John L. (1958): 16mm Super Anscochrome Films. In: Journal of the Society of Motion Picture and Television Engineers, 67,10, pp. 691–693.

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    Forrest, John L. (1958): 16mm Super Anscochrome Films. In: Journal of the Society of Motion Picture and Television Engineers, 67,10, pp. 691–693.

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    Duerr, H.H.; Harsh, H. C. (1946): Ansco Color for Professional Motion Pictures. In: Journal of the Society of Motion Picture and Television Engineers, 46,5, pp. 357–367.

    Quote

    Duerr, H.H.; Harsh, H. C. (1946): Ansco Color for Professional Motion Pictures. In: Journal of the Society of Motion Picture and Television Engineers, 46,5, pp. 357–367.

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on p. 154. (in German)

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on p. 114. (in German)

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on p. 147. (in German)

    Quote

    Koshofer, Gert (1988): Color. Die Farben des Films. Berlin: Wissenschaftsverl. Volker Spiess, on p. 114. (in German)

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    Brauer, Egon (1964): Frühjahrsmesse 1964 Leipzig. In: Bild und Ton, 17,5, pp. 144–150, on pp. 148–149. (in German)

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    Solomons, L. R. (1964): Gevaert Graphic Materials. In: The British Journal of Photography, 111, April 1964, pp. 284–285.

    Quote

    Forrest, John L. (1958): 16mm Super Anscochrome Films. In: Journal of the Society of Motion Picture and Television Engineers, 67,10, pp. 691–693.

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    Bates, J. E.; Runyan, I. V. (1949): Processing Control Procedures for Ansco Color Film. In: Journal of the Society of Motion Picture and Television Engineers, 53,7, pp. 3–24.

    Quote

    Duerr, H.H.; Harsh, H. C. (1946): Ansco Color for Professional Motion Pictures. In: Journal of the Society of Motion Picture and Television Engineers, 46,5, pp. 357–367.

    Quote

    Coote, Jack H. (1993): The Illustrated History of Colour Photography. Surbiton, Surrey: Fountain Press, on pp. 153–156.

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    Coote, Jack H. (1993): The Illustrated History of Colour Photography. Surbiton, Surrey: Fountain Press, on pp. 152–153.

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    Coote, Jack H. (1993): The Illustrated History of Colour Photography. Surbiton, Surrey: Fountain Press, on p. 166.

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    Coote, Jack H. (1993): The Illustrated History of Colour Photography. Surbiton, Surrey: Fountain Press, on p. 168.

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    Coote, Jack H. (1993): The Illustrated History of Colour Photography. Surbiton, Surrey: Fountain Press, on p. 165.

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    Pierotti, Federico (2016): Un’archeologia del colore nel cinema italiano. Dal Technicolor ad Antonioni. Pisa: Edizioni ETS, on p. 165. (in Italian)