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    41 Results


    Quote

    Carmichael, Jae (1982): Lighting and Production Design. In: American Cinematographer, 63,11, pp. 1156–1161, on p. 1157.

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    Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color Design in the 1930s. Austin: University of Texas Press, on pp. 124–133.

    Quote

    Carmichael, Jae (1982): Lighting and Production Design. In: American Cinematographer, 63,11, pp. 1156–1161, on p. 1157.

    Quote

    Ames, Preston (1951): The Ballet (An American in Paris). In: Production Design, 1,11, pp. 6–9, on pp. 6–8.

    Quote

    Street, Sarah; Yumibe, Joshua (2013): The Temporalities of Intermediality. Colour in Cinema and the Arts of the 1920s. In: Early Popular Visual Culture, 11,2, May, pp. 140–157, on pp. 152-154.

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    Bruzzi, Stella (2012): Cinema and Haute Couture. Sabrina to Pretty Woman, Trop Belle Pour Toi!, Prêt-à-Porter. In: Undressing Cinema. Clothing and Identity in the Movies. Routledge, on pp. 9–10.

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    Street, Sarah (2009): ‘Colour Consciousness’. Natalie Kalmus and Technicolor in Britain. In: Screen, 50,2, p. 191‒215, on pp. 209–212.

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    Allen, Richard (2006): Hitchcock’s Color Designs. In: Angela Dalle Vacche and Brian Price (eds.): Color. The Film Reader. New York: Routledge, pp. 131–144, on pp. 131–134.

    Quote

    Degenhardt, Inge (1996): On the Absence and Presence of Colour in Film. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 88–102.

    Quote

    Degenhardt, Inge (1996): On the Absence and Presence of Colour in Film. In: Monica Dall’Asta, Guglielmo Pescatore and Leonardo Quaresima (eds.): Il colore nel cinema muto. Bologna: Clueb, pp. 88–102.

    Quote

    Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color Design in the 1930s. Austin: University of Texas Press, on pp. 115–124.

    Quote

    Pierotti, Federico (2016): Un’archeologia del colore nel cinema italiano. Dal Technicolor ad Antonioni. Pisa: Edizioni ETS, on pp. 184–189. (in Italian)

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    Pierotti, Federico (2016): Un’archeologia del colore nel cinema italiano. Dal Technicolor ad Antonioni. Pisa: Edizioni ETS, on pp. 176–184. (in Italian)

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    Pierotti, Federico (2016): Un’archeologia del colore nel cinema italiano. Dal Technicolor ad Antonioni. Pisa: Edizioni ETS, on pp. 196–197. (in Italian)

    Quote

    Basten, Fred E. (1980): Glorious Technicolor. The Movies’ Magic Rainbow. South Brunswick: Barnes, on pp. 127–129.

    Quote

    Higgins, Scott (2000): Demonstrating Three-Colour Technicolor: “Early Three-Colour Aesthetics and Design”. In: Film History, Vol. 12, No. 4, Color Film (2000), pp. 358–383, on p. 376.