A Matter of Life and Death (GBR 1946, Michael Powell, Emeric Pressburger).
Credit: BFI National Archive.
Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
Contemporary Reception:
Crowther, Bosley (1946): The Screen in Review. Stairway to Heaven, a British Production at Park Avenue, Proves a Holiday Delight. In: The New York Times, 26 December 1946, p. 28. View Quote
Full text on The New York Times website. View Link
Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900–55. Basingstoke, Hampshire: Palgrave Macmillan, on p. 113. View Quote
Selected Analyses:
Costa de Beauregard, Raphaëlle (2009): Technicolor and Jack Cardiff’s Art and Craft in Powell and Pressburger’s Matter of Life and Death (1946). In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 225–236, on pp. 226–236. View Quote
Ellis, John (1978): Watching Death at Work. An Analysis of A Matter of Life and Death. In: Ian Christie (ed.): Powell, Pressburger and Others. London: BFI, pp. 79–104, on pp. 79–80 View Quote and on pp. 94–96. View Quote
Grob, Norbert (1991): Farbe im Auge, Ausdruck im Kopf. Hein Heckroths Farbdramaturgien für Powell & Pressburger. In: Katharina Spielhaupter (ed.): Hein Heckroth. Frankfurt/M.: Filmmuseum, pp. 57–78, on pp. 58–60. (in German) View Quote
Misek, Richard (2010): Chromatic Cinema. A History of Screen Color. Chichester: John Wiley & Sons, on pp. 33–34. View Quote
Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 156–157. (in Italian) View Quote
Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900–55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 112–118. View Quote
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.
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A Matter of Life and Death (GBR 1946, Michael Powell; Emeric Pressburger). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler, ERC Advanced Grant FilmColors.