Blanche Fury (GBR 1948, Marc Allégret).

Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection).

Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.

Credit: BFI National Archive.

Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

Selected Analyses:

Watkins, Liz (2010): Colour Consciousness and Design in Blanche Fury as Technicolor Melodrama. In: Journal of British Cinema and Television, 7,1, pp. 53–68. PDF Online

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  Blanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Blanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Blanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Blanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Blanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Blanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Blanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Blanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Blanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Blanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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