Blanche Fury (1948)
(52 Images)
Blanche Fury (GBR 1948, Marc Allégret).
Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection).
Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
Credit: BFI National Archive.
Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
Selected Analyses:
Watkins, Liz (2010): Colour Consciousness and Design in Blanche Fury as Technicolor Melodrama. In: Journal of British Cinema and Television, 7,1, pp. 53–68. PDF Online
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ShowHide detailsBlanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (USA 1948, Marc Allegret). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsBlanche Fury (GBR 1948, Marc Allégret). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1947 by Michelle Beutler and Olivia Kristina Stutz, ERC Advanced Grant FilmColors.