Colour on the Thames (1936) is one of the very few documentaries shot on Gasparcolor. Cinematography by Adrian Cornwell-Clyne.

Credit: Courtesy of BFI National Archive;
National Science and Media Museum Bradford (Kodak Film Samples Collection).

Photographs by Barbara Flueckiger;
Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.

Selected Analyses:

Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on p. 47. View Quote

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  Credit: Courtesy of BFI National Archive. Photograph by Barbara Flueckiger. Film: Colour on the Thames (GB 1936, Adrian Cornwell-Clyne).
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  Credit: Courtesy of BFI National Archive. Photograph by Barbara Flueckiger. Film: Colour on the Thames (GB 1936, Adrian Cornwell-Clyne).
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  Credit: Courtesy of BFI National Archive. Photograph by Barbara Flueckiger. Film: Colour on the Thames (GB 1936, Adrian Cornwell-Clyne).
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  Credit: Courtesy of BFI National Archive. Photograph by Barbara Flueckiger. Film: Colour on the Thames (GB 1936, Adrian Cornwell-Clyne).
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  Credit: Courtesy of BFI National Archive. Photograph by Barbara Flueckiger. Film: Colour on the Thames (GB 1936, Adrian Cornwell-Clyne).
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  Credit: Courtesy of BFI National Archive. Photograph by Barbara Flueckiger. Film: Colour on the Thames (GB 1936, Adrian Cornwell-Clyne).
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  Credit: Courtesy of BFI National Archive. Photograph by Barbara Flueckiger. Film: Colour on the Thames (GB 1936, Adrian Cornwell-Clyne).
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  Credit: Courtesy of BFI National Archive. Photograph by Barbara Flueckiger. Film: Colour on the Thames (GB 1936, Adrian Cornwell-Clyne).
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  Credit: Courtesy of BFI National Archive. Photograph by Barbara Flueckiger. Film: Colour on the Thames (GB 1936, Adrian Cornwell-Clyne).
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  Credit: Courtesy of BFI National Archive. Photograph by Barbara Flueckiger. Film: Colour on the Thames (GB 1936, Adrian Cornwell-Clyne).
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  Credit: Courtesy of BFI National Archive. Photograph by Barbara Flueckiger. Film: Colour on the Thames (GB 1936, Adrian Cornwell-Clyne).
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  Colour on the Thames (1936), cinematography by Adrian Cornwell-Clyne. Short documentary on the channel of the British Film Institute on YouTube.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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  Colour on the Thames (GBR 1935, Adrian Klein). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Gaspar color print by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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