Joan the Woman (1916)
(86 Images)
Joan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum.
Photographs of the tinted, toned and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
See toned images here.
See Handschiegl images here.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and toned nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and toned nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and toned nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and toned nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and toned nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and toned nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and toned nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and toned nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and toned nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and toned nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and toned nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted and Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the Handschiegl nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsJoan the Woman (USA 1916, Cecil B. DeMille). Credit: George Eastman Museum. Photographs of the tinted nitrate print from 1916 and 1920 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.