King of Jazz (USA 1930, John Murray Anderson, Pál Fejös).

Credit: Library of Congress.

Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 from the Library of Congress by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

Credit: George Eastman Museum, Moving Image Department.

Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.

Selected Analyses:

Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 130–131. (in Italian) View Quote

Layton, James; Pierce, David (2016): King of Jazz. Paul Whiteman’s Technicolor Revue. Severn, MD: Media History Press, 300 pp.

O’Brien, Charles (2013): Color as Image Schema. Technicolor Number 3 in King of Jazz. In: Simon Brown, Sarah Street, Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 37–46. View Quote

Street, Sarah; Yumibe, Joshua (2019): Chromatic Modernity. Color, Cinema, and Media of the 1920s. New York: Columbia University Press, on pp. 245–249. View Quote

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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson). Credit: Library of Congress. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 and 1931 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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  King of Jazz (USA 1930, John Murray Anderson; Pál Fejös). Credit: George Eastman Museum, Moving Image Department. Photographs of the Technicolor No. III dye-tranfer nitrate print from 1930 by Barbara Flueckiger.
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