La poule aux oeufs d’or (FRA 1905, Gaston Velle).

Credit 1: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.

Credit 2: Two versions by the BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Versions C-130852 and C-130846.

See tinted images here.

See toned images here.

Selected Analyses:

Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 43–47. (in Italian) View Quote

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130846.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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  La poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Michelle Beutler, ERC Advanced Grant FilmColors. Version C-130852.
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