La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca).

Credit: Eye Filmmuseum Amsterdam. Photographs of the tinted and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.

See tinted images here.

Restoration:

Blot-Wellens, Camille (2017): Vie(s) de Jésus. Essai d’identification et de compréhension. In: Journal of Film Preservation, 97, October 2017, pp. 17–26, on pp. 17–22. (in French) View Quote

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathe (before 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification

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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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  La vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet; Ferdinand Zecca). Credit: Lichtspiel / Kinemathek Bern. Photographs of the stencil colored nitrate print by Barbara Flueckiger, Scan2Screen.
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