Lassie Come Home (USA 1943, Fred M. Wilcox).

Credit: BFI National Archive.

Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.

Koshofer, Gert (1965): Jubiläum für einen Farbfilm. 30 Jahre Kodachrome. In: FM, 9, pp. 40–42, on p. 42. (in German) View Quote

Contemporary Reception:
Anonymous (1943): Actual Reviews. Lassie Come Home. In: The Exhibitor, 30,18, Sep., p. 2. View Quote
Full text on the Media History Digital Library website. View Link

Anonymous (1943): Lassie Come Home with Roddy McDowall and Donald Crisp. In: Harrison’s Reports, XXV,34, Aug., p. 134. View Quote
Full text on the Media History Digital Library website. View Link

Anonymous (1943): The Box Office Slant. Lassie Come Home. In: Showmen’s Trade Review, 39,5, Aug., p. 26. View Quote
Full text on the Media History Digital Library website. View Link

Stengel, Fred (1943): Review. Lassie Come Home. In: Motion Picture Daily, 54,34, Aug., p. 8. View Quote
Full text on the Media History Digital Library website. View Link

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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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  Lassie Come Home (USA 1943, Fred M. Wilcox). Credit: BFI National Archive. Photographs of the Technicolor dye-transfer nitrate print from 1944 by Michelle Beutler, ERC Advanced Grant FilmColors.
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