Le Pied de mouton (1907)
(48 Images)
Le Pied de mouton (FRA 1907, Albert Capellani).
Credit 1: Library of Congress. HDR photographs of the nitrate print by Barbara Flueckiger.
Credit 2: BFI National Archive. Photographs of the tinted and stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the tinted and stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the tinted and stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsSuper macro. Le Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the tinted and stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the tinted and stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the tinted and stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photographs of the nitrate prints by Barbara Flueckiger.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photographs of the nitrate prints by Barbara Flueckiger. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the tinted and stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the tinted and stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the tinted and stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger.
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger.
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ShowHide detailsLe pied de mouton (FRA 1907, Albert Capellani). Credit: BFI National Archive. Photographs of the stencil colored nitrate print from 1912 by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsSuper macro. Le Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photograph of the nitrate print by Barbara Flueckiger.