Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive.

Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.

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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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  Le Siège de Calais (FRA 1911, Henri Andréani). Credit: BFI National Archive. Photographs of the tinted, toned and stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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