Magnificent Obsession (USA 1954, Douglas Sirk).
Credit: Academy Film Archive.
Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
Selected Analyses:
Kappelhoff, Hermann; Greifenstein, Sarah (2014): Feeling Gloomy or Riding High. Timings of Melodrama and Comedy. In: Marie-Luise Angerer, Michaela Ott and Bernd Bösel (eds.): Timing of Affect. Epistemologies, Aesthetics, Politics. Zürich: Diaphanes, pp. 263–282, on pp. 267–271 View Quote and on p. 279. View Quote
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Magnificent Obsession (USA 1954, Douglas Sirk). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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Magnificent Obsession (USA 1954, Douglas Sirk). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
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ShowHide details
Magnificent Obsession (USA 1954, Douglas Sirk). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
Magnificent Obsession (USA 1954, Douglas Sirk). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
Magnificent Obsession (USA 1954, Douglas Sirk). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
Magnificent Obsession (USA 1954, Douglas Sirk). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
Magnificent Obsession (USA 1954, Douglas Sirk). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
Magnificent Obsession (USA 1954, Douglas Sirk). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.
-
ShowHide details
Magnificent Obsession (USA 1954, Douglas Sirk). Credit: Academy Film Archive. Photographs of the Technicolor dye-transfer safety print by Michelle Beutler, ERC Advanced Grant FilmColors.