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Marnie (1964)
(68 Images)

Color system

Technicolor No. V: Dye transfer prints from chromogenic negative

Marnie (USA 1964, Alfred Hitchcock).

Credit: BFI National Film Archive.

Photographs of the Technicolor V dye-transfer safety print by Joëlle Kost, ERC Advanced Grant FilmColors.

 

 

Selected Analyses:

Allen, Richard (2006): Hitchcock’s Color Designs. In: Angela Dalle Vacche and Brian Price (eds.): Color. The Film Reader. New York: Routledge, pp. 131–144, on pp. 134–142. View Quote

Belton, John (2013): Color and Meaning in Marnie. In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 189-195. View Quote

Brost, Laure (2007): On Seeing Red. The Figurative Movement of Film Colour. In: Wendy Everett (ed.): Questions of Colour in Cinema. From Paintbrush to Pixel. Peter Lang: Oxford, pp. 127–139, on pp. 127–128 View Quote and on pp. 131-133. View Quote

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