Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
Contemporary Reception:
Thompson, Howard (1967): Matchless and The Hills Run Red Open. In: The New York Times, Nov., p. 26. View Quote
Full text on The New York Times website. View Link
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Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
-
ShowHide details
Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
-
ShowHide details
Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
-
ShowHide details
Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
-
ShowHide details
Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
-
ShowHide details
Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
-
ShowHide details
Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
-
ShowHide details
Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
-
ShowHide details
Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
-
ShowHide details
Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
-
ShowHide details
Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
-
ShowHide details
Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
-
ShowHide details
Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
-
ShowHide details
Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.
-
ShowHide details
Matchless (ITA 1967, Alberto Lattuada).
Credit: Cineteca di Bologna.
Photographs of the dye-transfer safety print by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions.