Opus III (1924)
(32 Images)
Opus III (GER 1924, Walter Ruttmann). Credit: EYE Filmmuseum Amsterdam. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Agfa (1924 onward). Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 15. View Quote on Page: Edge Codes and Identification
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ShowHide detailsOpus III (GER 1924, Walter Ruttmann). Credit: EYE Film Museum. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.