Pathécolor Illustrations
(5 Images)
Various illustrations depict the color application by stencil coloring. See also the application machine on the website of the Cinémathèque française.
Sources:
Coe, Brian (1981): The History of Movie Photography. Westfield, N.J.: Eastview Editions.
Löbel, Léopold (1922): Le coloris. In: La technique cinématographique. Projection et fabrication des films. Paris: Dunod, pp. 312–333.
Talbot, Frederick A. (1912): Animation in Natural Colours. In: Moving Pictures. How They are Made and Worked. Philadelphia: J.B. Lippincott Company, pp. 287–300.
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ShowHide detailsSource: Coe, Brian (1981): The History of Movie Photography. Westfield, N.J.: Eastview Editions. -
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ShowHide detailsPantograph. Source: Löbel, Léopold (1922): Le coloris. In: La technique cinématographique. Projection et fabrication des films. Paris: Dunod, pp. 312–333. -
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ShowHide detailsThe two film strips – above the one with the cut-out stencils, underneath the print to be colored – are fed in parallel into the coloring machine. Source: Löbel, Léopold (1922): Le coloris. In: La technique cinématographique. Projection et fabrication des films. Paris: Dunod, pp. 312–333. -
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ShowHide detailsColoring workshop at Pathé in Vincennes. Source: Talbot, Frederick A. (1912): Animation in Natural Colours. In: Moving Pictures. How They are Made and Worked. Philadelphia: J.B. Lippincott Company, pp. 287–300. -
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ShowHide detailsColoring workshop at Pathé in Vincennes. Source: Talbot, Frederick A. (1912): Animation in Natural Colours. In: Moving Pictures. How They are Made and Worked. Philadelphia: J.B. Lippincott Company, pp. 287–300.
