Two different prints of Redskin (USA 1929, Victor Schertzinger).
Credit: Library of Congress. Photographs of the nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
Credit: George Eastman Museum, Moving Image Department. Photographs of the nitrate print by Barbara Flueckiger.
See tinted images here.
“Paramount was the first to produce a full-length feature film utilizing Process Number Three. Entitled Redskin, the picture premiered in New York City in January of 1929. The New York Times reviewer was generally impressed.
So beautiful are many of the natural color sequences
. . . that the spectators were impelled to
applaud some of the lovely visions that greeted the
eye. . . . There is no fringing of the colors, but
if one might presume to call attention to something
that is at least constant, let it be said that the
skies are pale green and anything with a light blue
tint seems to become more green than blue. Now a
pale green sky, when viewed in the ‘shots’ in this
production, are by no means an eyesore.
New York Times, January 28, 1929, p. 20.”
(Nowotny, Robert A. (1983): The Way of All Flesh Tones. A History of Color Motion Picture Processes, 1895-1929. New York: Garland Pub, pp. 225-243, on p. 230.)
Contemporary Reception:
Anonymous (1929): Watch Photoplay’s New Sound Reviews for the Latest Talkie Developments. In: Photoplay, XXXV,3, Feb., pp. 54–55, on p. 54. View Quote
Anonymous (1929): Mr. Dix’s Color Film. In: New York Times, Feb., p. 117. View Quote
Anonymous (1929): Kicking That Red Man Around. In: Motion Picture Classic, XXIX,2, Apr., p. 55. View Quote
Anonymous (1929): Redskin (S). With Richard Dix. In: Harrison’s Reports, XI,6, Feb., p. 22. View Quote
Anonymous (1929): Richard Dix in Redskin. In: The Film Daily, XLVII,28, Feb., p. 8. View Quote
Full text on the Media History Digital Library website. View Link
Hall, Mordaunt (1929): The Screen. The Bootlegger’s Boomerang. In: The New York Times, 28 January 1929, p. 21. View Quote
Full text on The New York Times website. View Link
Nowotny, Robert A. (1983): The Way of All Flesh Tones. A History of Color Motion Picture Processes, 1895-1929. New York: Garland Pub, pp. 225-243, on p. 230. View Quote
Schader, Freddie (1929): Opinions on Pictures. Redskin. Bang! And Another Redskin Bit the Dust. In: Motion Picture News, XXXIX,5, Feb., p. 369. View Quote
Full text on the Media History Digital Library website. View Link
Selected Analyses:
Street, Sarah; Yumibe, Joshua (2019): Chromatic Modernity. Color, Cinema, and Media of the 1920s. New York: Columbia University Press, on pp. 242–244. View Quote
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
-
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Redskin (USA 1929, Victor Schertzinger). Credit: Library of Congress. Photographs of the Technicolor No. III dye-transfer print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.
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Redskin (USA 1929, Victor Schertzinger). Credit: George Eastman House. Photographs of the Technicolor No. III dye-transfer print by Barbara Flueckiger.