Stalker (SUN 1979, Andrei Tarkovsky).

Credit: BFI National Film Archive.

Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

Selected Analyses:

Carrère, Emmanuel (2002): Third Dive Into the Ocean. Andrei Tarkovsky’s The Stalker. In: Positif 50 Years. Selections From the French Film Journal. New York: The Museum of Modern Art, pp. 205–215, on pp. 207–208 View Quote and on p. 210. View Quote

Misek, Richard (2007): “Last of the Kodak”. Andrei Tarkovsky’s Struggle with Colour. In: Everett, Wendy (ed.): Questions of Colour in Cinema. From Paintbrush to Pixel. Oxford: Peter Lang, pp. 161–176, on pp. 166–171. View Quote

• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • dark
  • close-up
  • chiaroscuro

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • light-dark contrast
  • landscape
  • diffusion
  • establishing shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • dark
  • establishing shot
  • chiaroscuro
  • deep staging

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • monochrome
  • black
  • light-dark contrast
  • full shot
  • chiaroscuro
  • Alexander Kaidanovsky
  • Anatoly Solonitsyn

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • monochrome
  • black
  • Anatoly Solonitsyn
  • bush

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • monochrome
  • light-dark contrast
  • low-key
  • dark

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • monochrome
  • light-dark contrast
  • back light
  • diffusion
  • full shot
  • car

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • monochrome
  • light-dark contrast
  • dark
  • deep focus
  • establishing shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • light-dark contrast
  • deep focus
  • establishing shot
  • rails

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • establishing shot
  • deep staging
  • diffuse
  • rails
  • cold

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • dark
  • full shot
  • chiaroscuro
  • Alexander Kaidanovsky
  • weak figure–ground
  • spotlight

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • monochrome
  • black
  • light-dark contrast
  • low-key
  • dark
  • close-up
  • rim light
  • chiaroscuro
  • Anatoly Solonitsyn

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • dark
  • rim light
  • chiaroscuro
  • Alexander Kaidanovsky
  • medium shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • dark
  • back light
  • full shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • back light
  • car

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • low-key
  • deep focus
  • establishing shot
  • car
  • diffuse

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • deep focus
  • back light
  • car

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • low-key
  • deep focus
  • back light
  • establishing shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • back light
  • medium long shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • green
  • deep focus
  • Alexander Kaidanovsky
  • vegetation
  • medium long shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • green
  • Alexander Kaidanovsky
  • Anatoly Solonitsyn
  • vegetation
  • long shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • green
  • black
  • Alexander Kaidanovsky
  • vegetation

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • green
  • deep focus
  • establishing shot
  • vegetation
  • cyan

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • green
  • cold–warm contrast
  • full shot
  • Anatoly Solonitsyn
  • outdoors
  • vegetation

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • green
  • light-dark contrast
  • deep focus
  • outdoors
  • cyan

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • atmosphere
  • full shot
  • optical diffusion
  • Alexander Kaidanovsky
  • Anatoly Solonitsyn
  • outdoors

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • light-dark contrast
  • low-key
  • optical diffusion
  • cyan
  • medium long shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • close-up
  • Alexander Kaidanovsky

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • light-dark contrast
  • low-key
  • full shot
  • outdoors
  • diffuse

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • light-dark contrast
  • low-key
  • full shot
  • outdoors
  • diffuse

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • dark
  • back light
  • full shot
  • outdoors

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • light-dark contrast
  • deep focus
  • rim light
  • extra long shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • cold–warm contrast
  • rim light
  • optical diffusion
  • Anatoly Solonitsyn
  • medium shot
  • spotlight

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • cold–warm contrast
  • deep focus
  • full shot
  • cream
  • sand

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • rim light
  • full shot
  • beige
  • Alexander Kaidanovsky
  • cream
  • diffuse
  • sand

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • close-up
  • rim light
  • beige
  • cream
  • sand

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • deep focus
  • rim light
  • beige
  • sand

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • skin tone
  • water
  • choker close-up
  • hand

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • low-key
  • skin tone
  • rim light
  • Alexander Kaidanovsky
  • medium shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • deep focus
  • rim light
  • full shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • rim light
  • full shot
  • wide angle

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • shallow depth of field
  • Anatoly Solonitsyn
  • medium shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • deep focus
  • rim light
  • full shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • skin tone
  • Alexander Kaidanovsky
  • Anatoly Solonitsyn
  • grey
  • medium long shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • green
  • black
  • light-dark contrast
  • rim light
  • full shot

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • close-up
  • shallow depth of field
  • Alexander Kaidanovsky
  • diffuse

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • deep focus
  • full shot
  • texture
  • diffuse

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • full shot
  • texture
  • reflection

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • cold–warm contrast
  • light-dark contrast
  • warm
  • full shot
  • texture

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • rim light
  • full shot
  • water

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • light-dark contrast
  • low-key
  • water

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • light-dark contrast
  • texture

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • sepia
  • rim light

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • light-dark contrast
  • color contrast
  • sepia
  • close-up
  • smoke
  • chiaroscuro
  • Anatoly Solonitsyn

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • warm
  • beige
  • shallow depth of field
  • medium shot
  • Natasha Abramova

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • strong figure–ground
  • deep focus
  • smoke
  • very long shot
  • industrial

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • choker close-up

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • low-key
  • chiaroscuro
  • choker close-up

  + Add Tags
• ShowHide details
  Stalker (SUN 1979, Andrei Tarkovsky). Credit: BFI National Film Archive. Photographs of the Orwocolor print by Joëlle Kost, ERC Advanced Grant FilmColors.

  Tags

  • black
  • light-dark contrast
  • sepia
  • full shot
  • beige
  • cream
  • bed

  + Add Tags