Technicolor No. IV Samples (Kodak Film Samples Collection).
Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection).
Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Over The Moon (GBR 1939, Thornton Freeland, William K. Howard), Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Thunderhead – Son of Flicka (USA 1945, Louis King), Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Henry V (USA 1944, Laurence Olivier), Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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London Town (GBR 1946, Wesley Ruggles), Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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London Town (GBR 1946, Wesley Ruggles), Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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The Magic Canvas (GBR 1948, John Halas, Joy Batchelor), Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.
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The Magic Canvas (GBR 1948, John Halas, Joy Batchelor), Technicolor No. IV Samples (Kodak Film Samples Collection). Credit: National Science and Media Museum Bradford (Kodak Film Samples Collection). Photographs of the Technicolor No. IV dye-transfer safety prints by Josephine Diecke, SNSF project Film Colors. Technologies, Cultures, Institutions and Joëlle Kost, ERC Advanced Grant FilmColors.