The Private Lives of Elizabeth and Essex (USA 1939, Michael Curtiz).
Credit: UCLA Film & Television Archive.
Photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
Contemporary Reception:
Anonymous (1939): Film Reviews. Elizabeth and Essex. In: Variety, 136,4, Oct., p. 12. View Quote
Full text on the Media History Digital Library website. View Link
Anonymous (1939): Reviews of the New Films. The Private Lives of Elizabeth and Essex. In: The Film Daily, 76,62, Sep., p. 6. View Quote
Full text on the Media History Digital Library website. View Link
Anonymous (1939): The Private Lives of Elizabeth and Essex. In: Motion Picture Reviews, XIII,10, Oct., pp. 6–7. View Quote
Full text on the Media History Digital Library website. View Link
Finestone, Alfred (1939): Private Lives of Elizabeth and Essex. In: Motion Picture Daily, 46,62, Sep., p. 1 and p. 8. View Quote
Full text on the Media History Digital Library website. View Link
Nugent, Frank S. (1939): The Screen in Review. Errol Flynn Catches a Tudor in Strand’s Film of Private Lives of Elizabeth and Essex. In: The New York Times, 2 December 1939, p. 21. View Quote
Full text on The New York Times website. View Link
Selected Analyses:
Bourget, Jean-Loup (1995): Esthétiques du Technicolor. In: Jacques Aumont (ed.): La couleur au cinéma. Mailand: Mazzotta, pp. 110–119, on p. 112 View Quote and on p. 117. (in French) View Quote
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ShowHide details
The Private Lives of Elizabeth and Essex (USA 1939, Michael Curtiz).
Credit: UCLA Film & Television Archive.
Photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
The Private Lives of Elizabeth and Essex (USA 1939, Michael Curtiz).
Credit: UCLA Film & Television Archive.
Photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
The Private Lives of Elizabeth and Essex (USA 1939, Michael Curtiz).
Credit: UCLA Film & Television Archive.
Photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
The Private Lives of Elizabeth and Essex (USA 1939, Michael Curtiz).
Credit: UCLA Film & Television Archive.
Photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
The Private Lives of Elizabeth and Essex (USA 1939, Michael Curtiz).
Credit: UCLA Film & Television Archive.
Photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
The Private Lives of Elizabeth and Essex (USA 1939, Michael Curtiz).
Credit: UCLA Film & Television Archive.
Photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
The Private Lives of Elizabeth and Essex (USA 1939, Michael Curtiz).
Credit: UCLA Film & Television Archive.
Photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
The Private Lives of Elizabeth and Essex (USA 1939, Michael Curtiz).
Credit: UCLA Film & Television Archive.
Photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
The Private Lives of Elizabeth and Essex (USA 1939, Michael Curtiz).
Credit: UCLA Film & Television Archive.
Photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.
-
ShowHide details
The Private Lives of Elizabeth and Essex (USA 1939, Michael Curtiz).
Credit: UCLA Film & Television Archive.
Photographs of the Technicolor dye-transfer nitrate print by Barbara Flueckiger.