Trade marks in scene
(30 Images)
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ShowHide details[Pathé forvandlingsakt] [FRA 1905-1909]. Credit: National Library of Norway. Photographs of the Stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsCredit: Geo. Willeman, Nitrate Film Vault Manager, Library of Congress. Film: Amour d’esclave (France 1907). Edge mark: PATHÉ FRÈRES PARIS (without gap, 1906-1907, partially visible). Cf.: Ill.PM.33: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsPrint no. 2 of Amour d’esclave (FRA 1907, Albert Capellani). Credit: Library of Congress. Photograph of the nitrate film print by Barbara Flueckiger. Edge mark: PATHÉ FRÈRES PARIS (without gap, 1906-1907, partially visible). Cf.: Ill.PM.33: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsPrint no. 2 of Amour d’esclave (FRA 1907, Albert Capellani). Credit: Library of Congress. Photograph of the nitrate film print by Barbara Flueckiger. Edge mark: PATHÉ FRÈRES PARIS (1906-1907, partially visible). Cf.: Ill.PM.33: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLe Pied de mouton (FRA 1907, Albert Capellani). Credit: Library of Congress. HDR photographs of the nitrate prints by Barbara Flueckiger. Edge mark: Pathé (1909 onward), on one edge, PATHÉ FRÈRES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE ET EN BELGIQUE (partially visible). Cf.: Ill.PM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa poule aux oeufs d’or (FRA 1905, Gaston Velle). Credit: Cineteca di Bologna. Photographs of the tinted and stencil colored nitrate film by Noemi Daugaard, SNSF project Film Colors. Technologies, Cultures, Institutions. Edge mark: PATHÉ FRÈRES PARIS 1905 (partially visible). Cf.: Ill.PM.3: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification -
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ShowHide detailsLa vie et la passion de Jésus Christ (FRA 1907, Lucien Nonguet and Ferdinand Zecca). Credit: EYE Film Museum. Photographs of the stencil colored nitrate print by Olivia Kristina Stutz, ERC Advanced Grant FilmColors. Edge mark: Pathé (1911 onward), thin italic letters, on one edge, PATHE FRERES 14 RUE FAVART PARIS and on the other, EXHIBITION INTERDITE EN FRANCE EN SUISSE EN BELGIQUE ET EN ITALIE (partially visible). Cf.: Ill.PM.6: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 9. View Quote on Page: Edge Codes and Identification Trade mark in scene: Pathé cockerel (until 1909). Cf.: Ill.TM.5: Brown 1990: on p. 30. View Quote on Page: Edge Codes and Identification
