Original Technical Papers and Primary Sources

Anthony, Earle C. (1928): Vitacolor Movies. Reporting a New Color Process for the Amateur. In: Movie Makers. The Magazine of the Amateur Cinema League, Inc., III,12, Dec., pp. 771–772 and pp. 826–827. View Link

Kotlik, Carl M. (1929): ‘Vitacolor’. Ein neues Naturfarbenfilmverfahren für Amateurzwecke. In: Die Kinotechnik, 11,8, p. 215. (in German) View Quote

McKay, Herbert C. (1929): Reeling the Rainbow. A Discussion Of Motion Pictures In Natural Color. In: Movie Makers. The Magazine of the Amateur Cinema League, Inc., IV,8, Aug., pp. 509–511 and p. 538, on p. 511 and on p. 538. View Quote

Secondary Sources

Anonymous (1935): Il film a colori con sistema sottrattivo ad un solo strato di emulsione. In: Cinematografia italiana, 1,2, Mar., p. 11. (in Italian) View Quote

Coe, Brian (1981): The History of Movie Photography. Westfield, N.J.: Eastview Editions, p. 129. View Quote

Nowotny, Robert A. (1983): The Way of All Flesh Tones. A History of Color Motion Picture Processes, 1895-1929. New York: Garland Pub., p. 194. View Quote

Contemporary Reception

Eggert, John (1932): Kurzer Überblick über den Stand der Farbenkinematographie. In: John Eggert and Arpad von Biehler: Bericht über den VIII. Internationalen Kongress für wissenschaftliche und angewandte Photographie, Dresden 1931, Leipzig: J. A. Barth, pp. 214-222, on pp. 218-220. (in German) View Quote

Street, Sarah; Yumibe, Joshua (2019): Chromatic Modernity. Color, Cinema, and Media of the 1920s. New York: Columbia University Press, on pp. 234–236. View Quote