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Dunning Color

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Original Technical Papers and Primary Sources

Fernstrom, Ray (1936): Introducing Dunning Color. In: International Photographer, November 1936, pp. 10, 28, 30. View Quote

Secondary Sources

Brown, Simon (2012): Technical Appendix. In: Sarah Street: Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, pp. 259-287, on p. 271. View Quote

Cleveland, David; Pritchard, Brian (2015): How Films were Made and Shown. Some Aspects of the Technical Side of Motion Picture Film 1895-2015. Manningtree, Essex: David Cleveland, on p. 212 View Quote and on pp. 265–266. View Quote

Frost, George; Oppenheim, S. Chesterfield (1960): Technical History of Professional Color Motion Pictures. The Patent, Trademark and Copyright Foundation, George Washington University, Washington, D.C., 1960, p. 37. (Mimeographed.). (according to Ryan 1977: 112)

Klein, Adrian Bernhard = Cornwell-Clyne (1940): Colour Cinematography. Boston: American Photographic Pub. Co., 2nd revised edition, p. 227. View Quote

Limbacher (1969): Four Aspects of the Film. A History of the Development of Color, Sound, 3-D and Widescreen Films and Their Contribution to the Art of the Motion Picture. New York: Brussel & Brussel 1969, p. 45. View Quote

Nowotny, Robert A. (1983): The Way of All Flesh Tones. A History of Color Motion Picture Processes, 1895-1929. New York: Garland Pub., p. 273. View Quote

Ryan, Roderick T. (1977): A History of Motion Picture Color Technology. London: Focal Press, p. 106. View Quote

Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 40–41. View Quote

Contemporary Reception

Anonymous (1936): Das Dunningcolor-Verfahren. In: Die Kinotechnik, 18,23, Dec., pp. 385–386. (in German) View Quote