Cinecolor (subtractive 2 color)

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Original Technical Papers and Primary Sources

Crespinel, William T. (1933): As to Cinecolor. In: American Cinematographer, 14, pp. 355, 380-381. View Quote

Secondary Sources

Alt, Dirk (2011): “Der Farbfilm marschiert!” Frühe Farbfilmverfahren und NS-Propaganda 1933-1945. München: Belleville, on pp. 43–44. (in German) View Quote

Belton, John (2000): CinecoIor. In: Film History, 12,4, Color Film (2000), pp. 344-357. View Quote

Finler, Joel (1992): De Becky Sharp à Lola Montès. Comment la couleur vint au cinéma, entre 1935 et 1955. In: Yann Tobin (1992): Dossier. La couleur du cinéma. In: Positif, 375–376, May, pp. 121–158, on p. 132. (in French) View Quote

Nowotny, Robert A. (1983): The Way of All Flesh Tones. A History of Color Motion Picture Processes, 1895-1929. New York: Garland Pub., pp. 195-196. View Quote

Petersen, F. W. (1949): Kommt das universale Farbfilmkopiermaterial? In: Bild und Ton, 2,10, p. 310. (in German) View Quote

Ryan, Roderick T. (1977): A History of Motion Picture Color Technology. London: Focal Press, pp. 102-106. View Quote


Gitt, Robert; Dayton, Richard (1984): Restoring Becky Sharp. In: American Cinematographer, 65,10, pp. 99–106, on pp. 100–104. View Quote

Selected Analyses

The Goldwyn Follies (USA 1938, George Marshall):
Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color Design in the 1930s. Austin: University of Texas Press, on pp. 109–110 View Quote and on pp. 124–133. View Quote