Supercinecolor / Natural Color

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Original Technical Papers and Primary Sources

Gundelfinger, Alan M., (1950): Cinecolor Three-Color Process. In: The Journal of the Society of Motion Picture and Television Engineers, 54, 74-86. View Quote

Secondary Sources

Belton, John (2000): CinecoIor. In: Film History, 12,4, Color Film (2000), pp. 344-357. View Quote

Cleveland, David; Pritchard, Brian (2015): How Films were Made and Shown. Some Aspects of the Technical Side of Motion Picture Film 1895-2015. Manningtree, Essex: David Cleveland, on p. 211. View Quote

Finler, Joel (1992): De Becky Sharp à Lola Montès. Comment la couleur vint au cinéma, entre 1935 et 1955. In: Yann Tobin (1992): Dossier. La couleur du cinéma. In: Positif, 375–376, May, pp. 121–158, on p. 132. (in French) View Quote

Ryan, Roderick T. (1977): A History of Motion Picture Color Technology. London: Focal Press, pp. 102–106 and pp. 111–112. View Quote

Contemporary Reception

Ashton, George (1954): Colour at the Cinema. In: The British Journal of Photography, 101, 25 June 1954, pp. 324–325, on p. 325. View Quote