Gevacolor Negative
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No masking in the negative. Credit: Collection Gert Koshofer, Bergisch Gladbach (Germany).
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Original Technical Papers and Primary Sources
Verpoort, A./Stappaerts, H. (1979): A New Gevacolor Negative Film Type 682. In: Journal of the SMPTE, Vol. 89, Sept. 1980, pp. 650-652.
Bracey-Gibbon, J. (1949): Gevaert Colour Processes. In: The Photographic Journal, 89A, pp. 285-288. View Quote
Secondary Sources
Anonymous (1954): A New Type of Gevacolor Negative Film. In: The British Journal of Photography, 101, 20. August 1954, p. 426. View Quote
Anonymous (1956): Current Techniques of 35mm Color Film Photography and Printing. In: American Cinematographer, 37,1, January 1956, pp. 26-27 and p. 58. View Quote
Ashton, George; Leslie Thomson, C. (1954): Resolving Power Measurements on Colour Film. In: The British Journal of Photography, 101, 16 July 1954, pp. 361–363. View Quote
Beyer, Friedemann; Koshofer, Gert; Krüger, Michael (2010): UFA in Farbe. Technik, Politik und Starkult zwischen 1936 und 1945. München: Collection Rolf Heyne, on p. 54 View Quote and on p. 55. (in German) View Quote
Brune, Wolfgang (1954): Ein altes farbenfotografisches Verfahren unter neuen Gesichtspunkten. In: Bild und Ton, 7,10, pp. 293–295. (in German) View Quote
Déribéré, Maurice (1954): Les problèmes du cinéma en couleurs français. In: Technique Cinématographique, 25,145, pp. 185–189. (in French) View Quote
Koshofer, Gert (1966): Fünfundzwanzig Jahre deutscher Farbenspielfilm. In: Film – Kino – Technik, Vol. 20, No. 10, 1966, pp. 259-262, on p. 261. (in German) View Quote
Solomons, L. R. (1964): Gevaert Graphic Materials. In: The British Journal of Photography, 111, April 1964, pp. 284–285. View Quote
Pierotti, Federico (2012): La seduzione dello spettro. Storia e cultura del colore nel cinema. Genova: Le Mani-Microart, on pp. 191–192 View Quote and on p. 202. (in Italian) View Quote
Pinel, Vincent (1992): La forêt des techniques. In: Michel Ciment (ed.): Ciné mémoire. Colloque international d’information (7-9 octobre 1991). Paris: Femis, pp. 17-24, on pp. 21-24. (in French) View Quote
Ryan, Roderick T. (1977): A History of Motion Picture Color Technology. London: Focal Press, pp. 190-197. View Quote
Films
Sacre d’Elisabeth (Eastman Color negative, Gevacolor copy)4
Alerte au Sud (FRA/ITA 1953, Jean Devaivre)4
La nave delle donne maledette (ITA 1953, Raffaello Matarazzo)3
Trois Mousquetaires/The Three Musketeers (FRA/ITA 1953, André Hunebelle)4
Vortice (ITA 1953, Raffaello Matarazzo)3
Le Comte de Monte-Cristo/The Count of Monte Cristo (FRA/ITA 1954, Robert Vernay)4
Tarantella napoletana (ITA 1954, Camillo Mastrocinque)2
India: Matri Bhumi (ITA/FRA 1959, Roberto Rossellini)1
Counterfeit Killer ([USA 1968, Joseph Lejtes] Universal Pictures)
For Singles Only ([USA 1968, Arthur Dreifuss] Columbia)
Sergeant Ryker ([USA 1968, Buzz Kulik] Universal Pictures)
The Green Slime ([USA 1968, Kinji Fakasaku] M.G.M)
Three Guns for Texas ([USA 1968] Universal Pictures)
Strategy of Terror ([USA 1969, Jack Smight] Universal Pictures)
1 Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French) View Quote
2 Pierotti, Federico (2016): Un’archeologia del colore nel cinema italiano. Dal Technicolor ad Antonioni. Pisa: Edizioni ETS, on pp. 152–153. (in Italian)
3 Pierotti, Federico (2016): Un’archeologia del colore nel cinema italiano. Dal Technicolor ad Antonioni. Pisa: Edizioni ETS, on pp. 192–194. (in Italian)
4 Déribéré, Maurice (1954): Les problèmes du cinéma en couleurs français. In: Technique Cinématographique, 25,145, pp. 185–189. (in French) View Quote
Downloads
Vervoort, A.; Stappaerts, H. (1980): A New Gevacolor Negative Film Type 682. In: Journal of the Society of Motion Picture and Television Engineers, 89, Sept. 1980, pp. 650–652.
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Patents
Contemporary Reception
Florstedt, J. (1973): Recent Developments in International Colour Cinematography. In: The British Journal of Photography, pp. 340–348, on p. 340. View Quote
Selected Analyses
The Green Slime ([USA 1968, Kinji Fakasaku] M.G.M):
Hougron, Alexandre (1992): La couleur de l’autre. Le rouge et le vert dans les films de science-fiction. Yann Tobin (ed.): Dossier. La couleur du cinéma. In: Positif, 375–376, May, pp. 121–158, on pp. 143–146. (in French) View Quote
India: Matri Bhumi (ITA/FRA 1959, Roberto Rossellini):
Bergala, Alain (1995): La couleur, la Nouvelle Vague et ses maîtres des années cinquante. In: Jacques Aumont (ed.): La Couleur en cinéma. Milan: Mazzotta, pp. 126–136, on pp. 131–133. (in French) View Quote
