Cinechrome
Description
“[…] pictures were taken side by side, full-size, on double-width film, the film not only being perforated on the edges but also down the centre between the pairs of images.”
(Klein, Adrian Bernhard = Cornwell-Clyne (1940): Colour Cinematography. Boston: American Photographic Pub. Co.. 2nd revised edition: p. 12.)
Secondary Sources
Brown, Simon (2012): Technical Appendix. In: Sarah Street: Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, pp. 259-287, on pp. 266-268. View Quote
Brown, Simon (2013): The Brighton School and the Quest for Natural Color. Redux. In: Simon Brown, Sarah Street and Liz Watkins (eds.): Color and the Moving Image. History, Theory, Aesthetics, Archive. New York, London: Routledge, pp. 13–22, on pp. 16–22. View Quote
Cherchi Usai, Paolo (2000): Silent Cinema. London: BFI, p. 28. View Quote
Klein, Adrian Bernhard = Cornwell-Clyne (1940): Colour Cinematography. Boston: American Photographic Pub. Co.. 2nd revised edition, p. 11-12. View Quote
Stokes, Melvyn (2009): Colour in American Cinema. From The Great Train Robbery to Bonnie and Clyde. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 184–192, on p. 186. View Quote
Street, Sarah (2012): Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, on pp. 38–39. View Quote
Films
According to Brown, Simon (2012): Technical Appendix: Cinechrome/Cinecolor. In: Street, Sarah: Colour Films in Britain. The Negotiation of Innovation 1900-55. Basingstoke, Hampshire: Palgrave Macmillan, p. 267:
Cinechrome Colour Test with Soap Boxes and Packets (1920)
Edward Prince of Wales’ Tour of India: Calcutta and Delhi (1921)
Edward Prince of Wales’ Tour of India: Bombay, Poona, Barodajodhpur and Bikaner (1920s)
Edward Prince of Wales’ Tour of India: Bikaner, Lucknow, Benares, Nepal and Great Tiger Shoot (1920s)
Edward Prince of Wales’ Tour of India: Indore, Bhopal, Gwalior and Delhi (1920s)
Edward Prince of Wales’ Tour of India: Malakand, Kapurthala and Dehra Dun (1920s)
Through India and Burma with HRH The Prince of Wales aka With The Prince of Wales Through India mid Burma (1922)
Edward Prince of Wales Tour of India: Madras. Bangalore, Mysore and Hyderabad (1922)
Edward Prince of Wales’ Tour of India: Peshawar, The Khyber Pass and Rawal Pindi (1922)
Downloads
Patents
E.P. 1,642 (Bennett, Colin Noel; filed Jan. 21, 1911; granted Oct. 12, 1911)
Download PDFE.P. 1,900 (Bennett, Colin Noel; filed Jan. 24, 1912; granted Oct. 31, 1912)
Download PDFE.P. 10,639 (Bennett, Colin Noel; filed May 4, 1912; granted May 1, 1913)
Download PDFE.P. 24,159 (Beck, Conrad/Bennett, Colin Noel; filed Oct. 22, 1912; granted Oct. 22, 1913)
Download PDFE.P. 26,173 (Bennett, Colin Noel; filed Nov. 14, 1912; granted Oct. 2, 1913)
Download PDFE.P. 7,659 (Workman, Harold; filed May 21, 1915; granted May 22, 1916)
Download PDFE.P. 13,042 (Workman, Harold; filed Sept. 11, 1915; granted Sept. 7, 1916)
Download PDFE.P. 16,810 (Twyman, Frank/Sharp Higham, John/Workman, Harold; filed Nov. 29, 1915; granted Nov. 29, 1916)
Download PDFE.P. 16,811 ((Twyman, Frank/Sharp Higham, John/Workman, Harold; filed Nov. 29, 1915; granted Nov. 29, 1916)
Download PDF
Contemporary Reception
Anonymous (1922): With the Prince of Wales Through India and Burma. In: The Bioscope, 809,LI, Apr., p. 42. View Quote
Kelley, William Van Doren (1918): Natural Color Cinematography. In: Transactions of the Society of Motion Picture Engineers, 7, Nov. 1918, pp. 38–43, on p. 42. View Quote