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Keller-Dorian












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Original Technical Papers and Primary Sources

Ducom, Jacques (1924): Le cinématographe scientifique et industriel, son évolution intellectuelle, sa puissance éducative et morale. Paris: Albin Michel, on pp. 406–409 View Quote and on pp. 485–487. (in French) View Quote

Sci. Tech. Ind. Phot. (1923): 3, 12.

Bull. Soc. frang. Phot. (1923): 65, 26.

Brit. J. Phot. (1923): 70.

Col. Phot. Supp. 17, 10.

Photo-Börse, (1923): 5, 167.

Brit. J. Almanac, (1924): 385.

(According to: Wall, E.J. (1925): The History of Three-color Photography. Boston: American Photographic Pub. Co., pp. 667–669.) View Quote

Secondary Sources

Alt, Dirk (2011): “Der Farbfilm marschiert!” Frühe Farbfilmverfahren und NS-Propaganda 1933-1945. München: Belleville, on p. 40 View Quote, on p. 52 View Quote, on p. 75 View Quote, on p. 115 View Quote and on pp. 118–119. (in German) View Quote

Anonymous (1928): Naturfarben-Kinematographie nach Keller-Dorian-Berthon. In: Die Kinotechnik, 10,7, Apr., pp. 193–194. (in German) View Quote

Capstaff, J. G.; Seymour, M.W. (1928): The Kodacolor Process for Amateur Color Cinematography. In: Transactions of the Society of Motion Picture Engineers, 12, pp. 940-947, on pp. 940–941. View Quote

Dr. N. (1937): Linsenraster. In: Film-Kurier, 183, 2.8.1937, Serie “Farb-Film-Fibel”. (in German) View Quote

Ede, François (2013): Un épisode de l’histoire de la couleur au cinéma. Le procédé Keller-Dorian et les films lenticulaires. In: 1895. Mille huit cent quatre-vingt-quinze. Revue de l’association française de recherche sur l’histoire du cinéma, 71, pp. 187–202.

Klein, Adrian Bernhard (Cornwell-Clyne) (1940): Colour Cinematography. Boston: American Photographic Pub. Co., p. 198. View Quote

Layton, James; Pierce, David (2015): The Dawn of Technicolor. Rochester: George Eastman House, on p. 258. View Quote

Ryan, Roderick T. (1977): A History of Motion Picture Color Technology. London: Focal Press, p. 51. View Quote

Pinel, Vincent (1992): La forêt des techniques. In: Michel Ciment (ed.): Ciné mémoire. Colloque international d’information (7-9 octobre 1991). Paris: Femis, pp. 17–24, on p. 21. (in French) View Quote

Theisen, Earl (1936): Notes on the History of Color in Motion Pictures. In: International Photographer, 8,5, June, pp. 8–9 and p. 24, on p. 9. View Quote

Wall, E.J. (1925): The History of Three-color Photography. Boston: American Photographic Pub. Co., pp. 667–669. View Quote

Patents

Can.P. 222,374; Jahrbuch, 1915, 29, 142

Fr.P. 472,419

Contemporary Reception

Anonymous (1928): Keller Dorian at the New Gallery. In: The Bioscope, 1141,LXXVI, Aug., p. 24. View Quote