Eastman Color II Negative, type 5247 / 7247
Secondary Sources
Cleveland, David; Pritchard, Brian (2015): In: How Films were Made and Shown. Some Aspects of the Technical Side of Motion Picture Film 1895–2015, Manningtree, Essex: David Cleveland, on p. 395. View Quote
Koshofer, Gert (1988): 50 Jahre moderne Farbfotografie. Die Farbfilme des Weltmarktes von 1936 bis 1985. In: MFM, 5,88, pp. 216-217; 6,88, pp. 259-260; 7,88, pp. 306-307. View Quote
Ryan, Roderick T. (1977): A History of Motion Picture Color Technology. London: Focal Press, p. 151. View Quote
Snazelle, E.E. Gregg (1974): How the new color negative film will create potential for more film production. In: American Cinematographer, 55,9, pp. 1074–1075 and pp. 1069–1099, on pp. 1074–1075. View Quote
Films
1978
Heaven Can Wait (USA 1978, Warren Beatty; Buck Henry)3
Same Time, Next Year (USA 1978, Robert Mulligan)3
The Deer Hunter (USA 1978, Michael Cimino)3
1980
The Shining (USA 1980, Stanley Kubrick)1
1985
Ran (JPN 1985, Akira Kurosawa)2
1 Al Salti, Nadia (2009): Le rouge sang du nouvel Hollywood. Bonnie and Clyde, The Wild Bunch, The Big Save. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 417–425, on p. 425. (in French) View Quote
2 Tessier, Max (1992): De la couleur dans les films japonais. In: Yann Tobin: Dossier. La couleur du cinéma. In: Positif, 375–376, May, pp. 121–158, on pp. 152–154. (in French)
3 Anonymous (1979): The Five Best Photographed Motion Pictures of 1978. In: American Cinematographer, 60,5, May, pp. 466–468 and pp. 516–527, on pp. 518–519 View Quote and on p. 523. View Quote
Selected Analyses
The Shining (USA 1980, Stanley Kubrick):
Al Salti, Nadia (2009): Le rouge sang du nouvel Hollywood. Bonnie and Clyde, The Wild Bunch, The Big Save. In: Raphaëlle Costa de Beauregard (ed.): Cinéma et couleur. Paris: M. Houdiard, pp. 417–425, on p. 425. (in French) View Quote
Production Reports
Heaven Can Wait (USA 1978, Warren Beatty; Buck Henry):
Anonymous (1979): The Five Best Photographed Motion Pictures of 1978. In: American Cinematographer, 60,5, May, pp. 466–468 and pp. 516–527, on pp. 518–519. View Quote
Same Time, Next Year (USA 1978, Robert Mulligan):
Anonymous (1979): The Five Best Photographed Motion Pictures of 1978. In: American Cinematographer, 60,5, May, pp. 466–468 and pp. 516–527, on p. 523. View Quote
The Shining (USA, GBR 1980, Stanley Kubrick):
Anonymous (1980): Photographing Stanely Kubrick’s The Shining. In: American Cinematographer, 61,8, pp. 780–785 and pp. 840–845, on pp. 780–785 and on pp. 840–844. View Quote
