Ulysse
Description
The process relied on two-, three- or even four-color selections being superimposed on the screen. On the positive, two, three or four images of reduced dimensions were printed on a single frame with a longitudinal and lateral distance corresponding to the distance between the axes of the illumination systems, which could, therefore, be adjusted individually. For projection, a regular black-and-white projector could be used, however, it had to be modified by adding additional guiding windows and lenses. During filming, multiple lenses were used to record the different color separations.
Original Technical Papers and Primary Sources
Patents:
FR 398 220
FR 433 162
FR 449 962
FR 455 693
FR 468 073
FR 464 905
FR 475 340
CH 79 820
CH 79 821
DE 259 136
GB 100 021
GB 191230108
GB 191400972
AU 792 213B1
AU 792 213
AU 956313B1
CA 153 078
US 116 1910
Films
According to several advertisings in the Italian film magazine La cinematografia italiana ed estera:
Il sacrificio di Lola ([1913] Italian title)
Grande fantasia arabe ([1913])
Paysannerie sous Louis XIII ([1913])
Mercurio amoroso ([1914] Italian title)
La danza dele geishas al Giappone ([1914] Italian title)
Downloads
Patents
US 1,161,910 (Ulysse, Pierre; filed January 19, 1914; granted November 30, 1915)
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