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Eastman Color Print Film 5384 / 7384

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Original Technical Papers and Primary Sources

Carl, K.J.; Erwin, J.W.; Powell, S.J.; Reinking, F.R.; Sehlin, R.C.; Spakowsky, S.W.; Szafranski, W.A.; Wien, R.W. (1982): Eastman Color Print Film 5384. In: Journal of the Society of Motion Picture Engineers, 91, Dec. 1982, pp. 1161–1170. Download PDF

Powell, Steven J.; Didier, C.; Gagny, B.; Carl, K.J.; Erwin, J.W.; Halman, I.A. (1984): Eastman Color LC Print Film 5380/7380. In: Journal of the Society of Motion Picture and Television Engineers, 93,3, pp. 228–234. View Quote

Contemporary Reception

Batman (USA 1989, Tim Burton):
Canby, Vincent (1989): Nicholson and Keaton Do Battle in Batman. In: The New York Times, Jun., p. C12. View Quote
Full text on The New York Times website. View Link


 

Blade Runner (USA 1982, Ridley Scott):
Canby, Vincent (1982): Going to the Movies, II. In: The New York Times, Jul., p. 13 and p. 18. View Quote
Full text on The New York Times website. View Link


 

Dick Tracy (USA 1990, Warren Beatty):
Canby, Vincent (1990): A Cartoon Square Comes to Life In Dick Tracy. In: The New York Times, Jun., p. C1 and p. C6. View Quote
Full text on The New York Times website. View Link

Selected Analyses

The Age of Innocence (USA 1993, Martin Scorsese):
Bellantoni, Patti (2005): If It’s Purple, Someone’s Gonna Die. The Power of Color in Visual Storytelling. Taylor & Francis, on pp. 33–36. View Quote

Cook, Pam (1994): The Age of Innocence. In: Ginette Vincendeau (ed.): Film – Literature – Heritage. London: BFI, pp. 161–164, on pp. 162–163. View Quote


 

Aliens (USA, GBR 1986, James Cameron):
D’Adamo, Amedeo (2018): Empathetic Space on Screen. Constructing Powerful Place and Setting. Cham: Palgrave Macmillan, on pp. 65–66. View Quote


 

Batman (USA 1989, Tim Burton):
De Vries, Hilary (1989): Batman Battles for Big Money. In: The New York Times, Feb., p. 19. View Quote
Full text on The New York Times website. View Link

Ford, Larry (1994): Sunshine and Shadow. Lighting and Color in the Depiction of Cities in Film. In: Stuart C. Aitken and Leo E. Zonn (eds.): Place, Power, Situation, and Spectacle. A Geography of Film. Lanham, Maryland: Rowman and Littlefield Publishers, pp. 119–136, on p. 132. View Quote


 

Blade Runner (USA 1982, Ridley Scott):
Bellantoni, Patti (2005): If It’s Purple, Someone’s Gonna Die. The Power of Color in Visual Storytelling. Taylor & Francis, on pp. 141–146. View Quote

Bruno, Giuliana (2002): Ramble City. Postmoderne und Blade Runner. In: Die Postmoderne im Kino. Ein Reader. Marburg: Schüren, pp. 65–79. (in German)

Carmichael, Jae (1982): Lighting and Production Design. In: American Cinematographer, 63,11, pp. 1156–1161, on p. 1157. View Quote

Dryer, David (1982): Blade Runner. Special Photographic Effects. In: American Cinematographer, 63,7, pp. 692–693, 725–732, on pp. 692–693. View Quote

Lightman, Herb A.; Patterson, Richard (1982): Blade Runner. Production Design and Photography. In: American Cinematographer, 63,7, pp. 684–687, 715–725, on pp. 720–723. View Quote


 

Dick Tracy (USA 1990, Warren Beatty):
Bellantoni, Patti (2005): If It’s Purple, Someone’s Gonna Die. The Power of Color in Visual Storytelling. Taylor & Francis, on pp. 59–61. View Quote

Ford, Larry (1994): Sunshine and Shadow. Lighting and Color in the Depiction of Cities in Film. In: Stuart C. Aitken and Leo E. Zonn (eds.): Place, Power, Situation, and Spectacle. A Geography of Film. Lanham, Maryland: Rowman and Littlefield Publishers, pp. 119–136, on p. 132. View Quote

Heuring, David (1991): Cinematography. Awards Nominees Feted. In: American Cinematographer, 72,5, pp. 52, 56, on p. 56. View Quote

Magid, Ron (1990): Comic Book World Springs to Live for Dick Tracy. In: American Cinematographer, 71,12, pp. 80–87, on pp. 81–83 View Quote and on p. 86. View Quote


 

The Cook, the Thief, His Wife & Her Lover (GBR 1989, Peter Greenaway):
Bruzzi, Stella (2012): Cinema and Haute Couture. Sabrina to Pretty Woman, Trop Belle Pour Toi!, Prêt-à-Porter. In: Undressing Cinema. Clothing and Identity in the Movies. Routledge, on pp. 9–10. View Quote


 

Out of Africa (USA 1985, Sydney Pollack):
Hachem, Samir (1986): Lights, Camera, Emulsions for Out of Africa. In: American Cinematographer, 67,2, pp. 66–72, on pp. 67–72. View Quote

Turner, George (1986): Out of Africa. David Watkin. In: American Cinematographer, 67,4, pp. 84–86, on pp. 85–86. View Quote


 

Star Trek VI: The Undiscovered Country (USA 1991, Nicholas Meyer):
Magid, Ron (1992): Star Trek VI. The Undiscovered Country. Narita Leads Enterprise Camera Crew. In: American Cinematographer, 73,1, pp. 42–50, on pp. 44–46. View Quote

Magid, Ron (1992): Star Trek VI. The Undiscovered Country. Specialized Departments Add Artistic Touches. In: American Cinematographer, 73,1, pp. 66–75, on pp. 66–69 View Quote and on pp. 69–71. View Quote