Eastman Color Print Film 5384 / 7384
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Original Technical Papers and Primary Sources
Carl, K.J.; Erwin, J.W.; Powell, S.J.; Reinking, F.R.; Sehlin, R.C.; Spakowsky, S.W.; Szafranski, W.A.; Wien, R.W. (1982): Eastman Color Print Film 5384. In: Journal of the Society of Motion Picture Engineers, 91, Dec. 1982, pp. 1161–1170. Download PDF
Powell, Steven J.; Didier, C.; Gagny, B.; Carl, K.J.; Erwin, J.W.; Halman, I.A. (1984): Eastman Color LC Print Film 5380/7380. In: Journal of the Society of Motion Picture and Television Engineers, 93,3, pp. 228–234. View Quote
Films
The Age of Innocence (USA 1993, Martin Scorsese)1
1 Cook, Pam (1994): The Age of Innocence. In: Ginette Vincendeau (ed.): Film – Literature – Heritage. London: BFI, pp. 161–164, on pp. 162–163. View Quote
Downloads
Carl, K.J.; Erwin, J.W.; Powell, S.J.; Reinking, F.R.; Sehlin, R.C.; Spakowsky, S.W.; Szafranski, W.A.; Wien, R.W. (1982): Eastman Color Print Film 5384. In: SMPTE Journal, 91, Dec. 1982, pp. 1161–1170.
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Patents
Contemporary Reception
Batman (USA 1989, Tim Burton):
Canby, Vincent (1989): Nicholson and Keaton Do Battle in Batman. In: The New York Times, Jun., p. C12. View Quote
Full text on The New York Times website. View Link
Blade Runner (USA 1982, Ridley Scott):
Canby, Vincent (1982): Going to the Movies, II. In: The New York Times, Jul., p. 13 and p. 18. View Quote
Full text on The New York Times website. View Link
Maslin, Janet (1982): Futuristic Blade Runner. In: The New York Times, Jun., p. C10. View Quote
Full text on The New York Times website. View Link
Dick Tracy (USA 1990, Warren Beatty):
Canby, Vincent (1990): A Cartoon Square Comes to Life In Dick Tracy. In: The New York Times, Jun., p. C1 and p. C6. View Quote
Full text on The New York Times website. View Link
Russell, John (1990): How a 30’s Stiff Became a Charmer For the 90’s. In: The New York Times, Jun., p. 1 and p. 16, on p. 16. View Quote
Full text on The New York Times website. View Link
Star Trek VI: The Undiscovered Country (USA 1991, Nicholas Meyer):
Maslin, Janet (1991): Aging Trekkers to the Rescue One Last Time. Really. In: The New York Times, Dec., p. C1 and p. C12. View Quote
Full text on The New York Times website. View Link
Selected Analyses
The Age of Innocence (USA 1993, Martin Scorsese):
Bellantoni, Patti (2005): If It’s Purple, Someone’s Gonna Die. The Power of Color in Visual Storytelling. Taylor & Francis, on pp. 33–36. View Quote
Cook, Pam (1994): The Age of Innocence. In: Ginette Vincendeau (ed.): Film – Literature – Heritage. London: BFI, pp. 161–164, on pp. 162–163. View Quote
Aliens (USA, GBR 1986, James Cameron):
D’Adamo, Amedeo (2018): Empathetic Space on Screen. Constructing Powerful Place and Setting. Cham: Palgrave Macmillan, on pp. 65–66. View Quote
Batman (USA 1989, Tim Burton):
De Vries, Hilary (1989): Batman Battles for Big Money. In: The New York Times, Feb., p. 19. View Quote
Full text on The New York Times website. View Link
Ford, Larry (1994): Sunshine and Shadow. Lighting and Color in the Depiction of Cities in Film. In: Stuart C. Aitken and Leo E. Zonn (eds.): Place, Power, Situation, and Spectacle. A Geography of Film. Lanham, Maryland: Rowman and Littlefield Publishers, pp. 119–136, on p. 132. View Quote
Froehlich, Dietmar (2018): The Chameleon Effect. Architecture’s Role in Film. Boston, MA: Birkhäuser, on pp. 114–115. View Quote
Nightingale, Benedict (1989): Batman Prowls a Gotham Drawn From the Absurd. In: The New York Times, Jun., p. 1 and p. 16. View Quote
Full text on The New York Times website. View Link
Blade Runner (USA 1982, Ridley Scott):
Bellantoni, Patti (2005): If It’s Purple, Someone’s Gonna Die. The Power of Color in Visual Storytelling. Taylor & Francis, on pp. 141–146. View Quote
Bruno, Giuliana (2002): Ramble City. Postmoderne und Blade Runner. In: Die Postmoderne im Kino. Ein Reader. Marburg: Schüren, pp. 65–79. (in German)
Carmichael, Jae (1982): Lighting and Production Design. In: American Cinematographer, 63,11, pp. 1156–1161, on p. 1157. View Quote
Dryer, David (1982): Blade Runner. Special Photographic Effects. In: American Cinematographer, 63,7, pp. 692–693, 725–732, on pp. 692–693. View Quote
Lightman, Herb A.; Patterson, Richard (1982): Blade Runner. Production Design and Photography. In: American Cinematographer, 63,7, pp. 684–687, 715–725, on pp. 720–723. View Quote
Sammon, Paul M. (1996): Future Noir. The Making of Blade Runner. New York: Harper Paperbacks, on pp. 2–3 View Quote and on p. 6. View Quote
The Cook, the Thief, His Wife & Her Lover (GBR 1989, Peter Greenaway):
Bruzzi, Stella (2012): Cinema and Haute Couture. Sabrina to Pretty Woman, Trop Belle Pour Toi!, Prêt-à-Porter. In: Undressing Cinema. Clothing and Identity in the Movies. Routledge, on pp. 9–10. View Quote
Jacobs, Karrie (1991): For Peter Greenaway, Movies Are a Dutch Treat. In: The New York Times, Apr., on p. 22. View Quote
Full text on The New York Times website. View Link
Kilb, Andreas (2002): Peter Greenaway oder Der Bauch des Kalligraphen. In: Jürgen Felix (ed.): Die Postmoderne im Kino. Ein Reader. Marburg: Schüren, pp. 230–238, on p. 232. (in German) View Quote
Trucco, Terry (1990): The Man Will Eat Literally Anything. In: The New York Times, Apr., p. 15 and p. 27, on p. 27. View Quote
Full text on The New York Times website. View Link
Dick Tracy (USA 1990, Warren Beatty):
Bellantoni, Patti (2005): If It’s Purple, Someone’s Gonna Die. The Power of Color in Visual Storytelling. Taylor & Francis, on pp. 59–61. View Quote
Ford, Larry (1994): Sunshine and Shadow. Lighting and Color in the Depiction of Cities in Film. In: Stuart C. Aitken and Leo E. Zonn (eds.): Place, Power, Situation, and Spectacle. A Geography of Film. Lanham, Maryland: Rowman and Littlefield Publishers, pp. 119–136, on p. 132. View Quote
Heuring, David (1991): Cinematography. Awards Nominees Feted. In: American Cinematographer, 72,5, pp. 52, 56, on p. 56. View Quote
Magid, Ron (1990): Comic Book World Springs to Live for Dick Tracy. In: American Cinematographer, 71,12, pp. 80–87, on pp. 81–83 View Quote and on p. 86. View Quote
Out of Africa (USA 1985, Sydney Pollack):
Hachem, Samir (1986): Lights, Camera, Emulsions for Out of Africa. In: American Cinematographer, 67,2, pp. 66–72, on pp. 67–72. View Quote
Turner, George (1986): Out of Africa. David Watkin. In: American Cinematographer, 67,4, pp. 84–86, on pp. 85–86. View Quote
Star Trek VI: The Undiscovered Country (USA 1991, Nicholas Meyer):
Magid, Ron (1992): Star Trek VI. The Undiscovered Country. Narita Leads Enterprise Camera Crew. In: American Cinematographer, 73,1, pp. 42–50, on pp. 44–46. View Quote
Magid, Ron (1992): Star Trek VI. The Undiscovered Country. Specialized Departments Add Artistic Touches. In: American Cinematographer, 73,1, pp. 66–75, on pp. 66–69 View Quote and on pp. 69–71. View Quote
Production Reports
Blade Runner (USA 1982, Ridley Scott):
Froehlich, Dietmar (2018): The Chameleon Effect. Architecture’s Role in Film. Boston, MA: Birkhäuser, on pp. 67–70. View Quote
Sammon, Paul M. (1996): Future Noir. The Making of Blade Runner. New York: Harper Paperbacks, on pp. 72–74 View Quote, on pp. 97–99 View Quote, on pp. 104–105 View Quote, on pp. 108–111 View Quote, on pp. 117–118 View Quote, on p. 120 View Quote, on pp. 134–135 View Quote, on p. 161 View Quote, on p. 163 View Quote, on p. 180 View Quote, on pp. 230–236 View Quote, on pp. 243–244 View Quote, on pp. 249–253 View Quote, on pp. 257–259 View Quote and on pp. 263–264. View Quote
