3M Color Positive Film

Subtractive 3 color: Chromogenic monopack

4 Images

3M Color Positive, type 650

Subtractive 3 color: Chromogenic monopack

3M Color Positive, type 651

Subtractive 3 color: Chromogenic monopack

3M Posi-Tone

Subtractive 3 color: dye destruction process, silver dye-bleach, still photography
“In 1956, after the failure of the French venture, Gaspar resumed his own production of printing materials and chemicals (Koshofer 1981a). In the late 1950s he entered into an agreement with 3M Company of St. Paul, Minnesota, to explore the ...

Agfa bipack films

Subtractive 2 color: Bi-pack
AGFA BIPACK FILM The front film is orthochromatic and sensitive, therefore, to green and blue. The rear film is panchromatic and records red-orange only, there being a red-orange filter on the orthochromatic emulsion. In fact, this is a bipack of the ...

11 Images in 1 Gallery

Agfa negative XT 125

Subtractive 3 color: Chromogenic monopack, Tungsten, twin silver halides

Agfa negative XT 320

Subtractive 3 color: Chromogenic monopack, Tungsten, twin silver halides

Agfa-Gevaert

Subtractive 3 color

Agfachrome

Subtractive 3 color: Chromogenic monopack, reversal, small gauge

2 Images

Agfachrome CU 410

Subtractive 3 color: dye destruction process, silver dye-bleach, still photography
“Between 1970 and 1976, Agfa-Gevaert produced its own silver dye-bleach printing material on a white-pigmented acetate base called Agfachrome CU 410.28 Only available to a few photofinishers in Germany, it was used to print amateurs’ ...

1 Image

Agfacolor Film

Additive 3 color: mosaic screen, combined system, still photography
“Agfacolor Film (1932–1934): individual colored particles cannot be seen with the naked eye, but clumps of grains of the same color give the image a pointillist effect (Fig. 2.70). There is no black pigment filler. The film has a thick base ...

1 Image

Agfacolor L

Subtractive 3 color: Chromogenic monopack
L stands for the Leverkusen brand of Agfacolor. N for negative, K for tungsten (Kunstlicht) and T for daylight (Tageslicht).

13 Images in 2 Galleries

Agfacolor lenticular / Agfacolor Linsenrasterfilm

Additive 3 color: Lenticular screen
The basic idea of the lenticular film was developed by the German Raphaël Liesegang in 1896 and applied to still photography by the French Rodolphe Berthon in 1908. The lenticular process applies tiny cylindrical lenses embossed on the film support ...

15 Images

Agfacolor Negative

Subtractive 3 color: Chromogenic monopack, daylight

Agfacolor Negative type B

Subtractive 3 color: Chromogenic monopack, daylight
For more information on the Agfacolor process see the detail page Agfacolor Neu / Agfacolor.

21 Images

Agfacolor Negative type B2

Subtractive 3 color: Chromogenic monopack, daylight
For more information on the Agfacolor chromogenic process see Agfacolor Neu / Agfacolor.

37 Images in 2 Galleries

Agfacolor Negative type G

Subtractive 3 color: Chromogenic monopack, Tungsten

Agfacolor Negative type G was a chromogenic camera negative balanced for Tungsten illumination.

14 Images in 2 Galleries

Agfacolor Negative type G2

Subtractive 3 color: Chromogenic monopack, Tungsten

Agfacolor Negative, type 2

Subtractive 3 color: Chromogenic monopack, daylight

Agfacolor Negative, type 3 (CN3)

Subtractive 3 color: Chromogenic monopack, universal

Agfacolor Negative, type 4 (CN4)

Subtractive 3 color: Chromogenic monopack, universal

Agfacolor Negative, type 5 (CN5)

Subtractive 3 color: Chromogenic monopack, universal

Agfacolor Negative, type B 333

Subtractive 3 color: Chromogenic monopack, daylight
For more information on the Agfacolor chromogenic process see Agfacolor Neu / Agfacolor.

11 Images

Agfacolor Negative, type G 334

Subtractive 3 color: Chromogenic monopack, Tungsten

Agfacolor Negative, type G 432

Subtractive 3 color: Chromogenic monopack, Tungsten

Agfacolor Neu / Agfacolor

Subtractive 3 color: Chromogenic monopack, reversal (from 1936), negative/positive process (from 1939)
“The New Agfacolor Process; Agfa Ansco Corp., Binghamton, N. Y. A survey of the history of monopack or multilayer photographic color processes is given, including the coloring methods of greatest importance at the present time. These are: (a) ...

640 Images in 21 Galleries

Agfacolor Plate

Additive 3 color: mosaic screen, combined system, still photography
“Agfacolor Plate (1932-1938): colored particles very small and not visible to the naked eye; clumps of particles of the same color give the image a pointillist effect (Fig. 2.63). Unlike with the autochromes, in which the grains are remarkably ...

1 Image

Agfacolor Positiv Typ 5

Subtractive 3 color: Chromogenic monopack

1 Image

Agfacolor Screen Plate

Additive 3 color: Mosaic screen, still photography
“During the war, an important new screen plate appeared, based on patents taken out by J. H. Christensen in 1908. He proposed to make a concentrated solution of gum in alcohol. Divided into three parts, the gum solutions were dyed red, green ...

11 Images

Agfacolor Ultra Film

Additive 3 color: mosaic screen, combined system, still photography and 35mm MPF (1935–1936)
“Agfacolor Ultra Film (1934–1941): individual colored grains cannot be seen with the naked eye, but clumps of grains of the same color give the image a pointillist effect (Fig. 2.72). There is no black pigment filler. The film has a thick ...

1 Image

Agfacolor Ultra Plate

Additive 3 color: mosaic screen, combined system, still photography
“Agfacolor Ultra Plate (1936–1938): colored particles very small and not visible to the naked eye, but clumps of particles of the same color give the image a pointillist effect (Fig. 2.65). Unlike with the autochromes, in which the grains are ...

1 Image

Alfacolour / Alfacolor

Subtractive 2 color: Bi-pack, duplitized film

Allfarbenfilm

Additive 3 color: Beam-splitter, substandard

Americolor

Subtractive 2 color: Bi-pack, duplitized

Ansco Color Dupe Negative, type 846

Subtractive 3 color: Chromogenic monopack

Ansco Color Duplicating Film, type 132

Subtractive 3 color: Chromogenic monopack
See Ansco Color, type 735.

Ansco Color negative / positive process

Subtractive 3 color: Chromogenic monopack, negative / positive

30 Images in 2 Galleries

Ansco Color Negative, type 843

Subtractive 3 color: Chromogenic monopack, daylight, 16 ASA

Ansco Color Negative, type 844

Subtractive 3 color: Chromogenic monopack, Tungsten, 16 ASA

Ansco Color Negative, type 845

Subtractive 3 color: Chromogenic monopack

Ansco Color Print Film, type 848

Subtractive 3 color: Chromogenic monopack

Ansco Color Printon; Improved Printon Anscochrome Type / GAF Printon Type 6400 / GAF Printon Type 6410 (1956–1981)

Subtractive 3 color: dye coupling or chromogenic process, still photography
“Ansco Color Printon In 1943 Ansco followed suit and launched a printing material on white-pigmented acetate base called Ansco Color Printon (Fig. 5.7). Initially, Printon was made accessible only to the military. After 1945 it became available to ...

2 Images

Ansco Color Release Film, type 732

Subtractive 3 color: Chromogenic monopack
See Ansco Color, type 735.

Ansco Color Reversal Duplicating Film, type 538

Subtractive 3 color: Chromogenic monopack, reversal

Ansco Colorpak / Ansco Color, type 735

Subtractive 3 color: Chromogenic monopack, reversal 35 mm, 12 ASA

Ansco One-Strip Color-Separation Film, type 155

Subtractive 3 color: one-strip color separation
See Ansco Colorpak / Ansco Color, type 735, Ansco Color Release Film, type 732 and Ansco Color Duplicating Film, type 132.

Anscochrome

Subtractive 3 color: Chromogenic monopack, reversal, 16mm

3 Images in 1 Gallery

Anscochrome, type 5210

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 100 ASA

Anscochrome, type 5230

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 200 ASA