Didone abbandonata (ITA 1910, Luigi Maggi).
Credit: Cineteca di Bologna.
Photographs of the tinted nitrate print by Barbara Flueckiger.
Frame characteristics / features of margins: Ambrosio. Cf.: Brown, Harold (1990): Physical Characteristics of Early Films as Aids to Identification. Brussels: FIAF, on p. 24.
Source: Jacobson, Egbert (1942): The Color Harmony Manual and How to Use It. Chicago: Color Laboratories Division, Container Corp. of America. Credit: Faber Birren Collection, Yale University. Photograph by Barbara Flueckiger.
Subtractive 4 color: pigment process, still photography
“In 1998 Racey Gilbert purchased Polaroid’s stock of pigment films and opened Ataraxia Studio in Bensalem, Pennsylvania, to make high-quality collectors’ carbon prints. Under the direction of Gérard Niemetzky, the studio produced ...
Source: Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 98.
In 1994, Technicolor announced the development of an enhanced dye-transfer process. This process became effective in June 1997. There was no official denomination, so “Technicolor No. VI” is not to be confused with statements from the mid ...
Subtractive 4 color: pigment process, still photography
“Also during the 1990s, William (Bill) Nordstrom started to experiment with a carbon process called Agfa-Proof, a four-color proprietary prepress color proofing system. He founded the EverColor Corporation in El Dorado Hills, California, in ...
Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 96.
Subtractive 4 color: pigment process, still photography
“Berger then started to work with the master carbro printer Richard Newmark Kauffman (1916−1998), and together they founded Ultrastable Color Systems, Inc. In 1992 they introduced presensitized UltraStable material for four-color carbon ...
Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 95.
Subtractive 4 color: pigment process, still photography
“In the early 1980s photographers frustrated by the poor stability of dye coupling materials started to experiment with pigment processes. Among them was Charles Berger, a California-based fine art photographer who, in 1982, developed a modern ...
Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 93.
Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 94.