1 Image

91 Images in 6 Galleries

Kodak Color Asset Protection Film 2332

Subtractive 3 color: Chromogenic monopack

Kodak Vision3 50D Color Negative Film 5203 / 7203

Subtractive 3 color: Chromogenic monopack, daylight, 50 ASA

Fuji Eterna Vivid 250D 8546 / 8646

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Fujicolor Positive Film Eterna-CP 3514DI / 3614DI

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film Eterna-CP 3523XD

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film Eterna-CP 3512 / 3612

Subtractive 3 color: Chromogenic monopack

Kodak Vision2 500T Color Negative Film 5260

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision3 250D Color Negative Film 5207 / 7207

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Kodak Vision3 Color Digital Intermediate Film 5254 / 2254

Subtractive 3 color: Chromogenic monopack

Fuji Eterna Vivid 500T 8547 / 8647

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision3 500T Color Negative Film 5219 / 7219

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Fuji Eterna Vivid 160T 8543 / 8643

Subtractive 3 color: Chromogenic monopack, Tungsten, 160 ASA

Fujicolor Positive Film Eterna-CP 3521XD

Subtractive 3 color: Chromogenic monopack

Fuji Eterna 250D 8563 / 8663

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Fuji Eterna 250T 8553 / 8653

Subtractive 3 color: Chromogenic monopack, Tungsten, 250 ASA

Kodak Vision2 50D Color Negative Film 5201 / 7201

Subtractive 3 color: Chromogenic monopack, daylight, 50 ASA

Kodak Vision2 "HD Color Scan Film" 500T Color Negative Film 5299 / 7299

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Fuji Eterna 400T 8583 / 8683

Subtractive 3 color: Chromogenic monopack, Tungsten, 400 ASA

Kodak Vision2 250D Color Negative Film 5205 / 7205

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Kodak Vision2 100T Color Negative Film 5212 / 7212

Subtractive 3 color: Chromogenic monopack

Kodak Vision2 200T Color Negative Film 5217 / 7217

Subtractive 3 color: Chromogenic monopack, 35 mm, 16 mm, 8 mm, Tungsten, 200 ASA

Fuji Eterna 500T 8573 / 8673

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision2 "Expression" 500T Color Negative Film 5229 / 7229

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision 500T Color Negative Film 5263 / 7263

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Kodak Vision2 500T Color Negative Film 5218 / 7218

Subtractive 3 color: Chromogenic monopack, 35 mm, 16 mm, 8 mm, Tungsten, 500 ASA

Fujicolor Positive Film Super F-CP 3510 / 3610

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive Film Eterna-CP 3513DI / 3613DI

Subtractive 3 color: Chromogenic monopack

Kodak Vision "Expression" 500T Color Negative Film 5284 / 7284

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Fuji Reala 500D 8592 / 8692

Fujicolor Positive Film Super F-CP 3510 / 3610

Subtractive 3 color: Chromogenic monopack

Kodak Vision 800T Color Negative Film 7289

Subtractive 3 color: Chromogenic monopack, 16mm, Tungsten, 800 ASA

Kodak Vision Color Teleprint Film 2395

Subtractive 3 color: Chromogenic monopack

Kodak Panchromatic Separation Film 2238

Black and white panchromatic film: Three-color separation positives from color negatives

Eastman Ektachrome, type 5285 / 7285

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 100 ASA

Fujicolor Positive Film F-CP 3519D

Subtractive 3 color: Chromogenic monopack

Kodak Vision 800T Color Negative Film 5289

Subtractive 3 color: Chromogenic monopack, Tungsten, 800 ASA

Kodak Vision Color Intermediate Film 2242 / 3242

Subtractive 3 color: Chromogenic monopack

Kodak Vision Color Intermediate Film 5242 / 7242

Subtractive 3 color: Chromogenic monopack

Kodak SFX 200T Color Negative Film

Subtractive 3 color: Chromogenic monopack, 35 mm

Technicolor No. VI: Dye-transfer prints from enhanced process

Subtractive 3 color: dye transfer
In 1994, Technicolor announced the development of an enhanced dye-transfer process. This process became effective in  June 1997. There was no official denomination, so “Technicolor No. VI” is not to be confused with statements from the mid ...

Kodak Vision 250D Color Negative Film 5246 / 7246

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Kodak Vision 200T Color Negative Film 5274 / 7274

Subtractive 3 color: Chromogenic monopack, Tungsten, 200 ASA

Eastman Special Order Print Film SO-886

Subtractive 3 color: Chromogenic monopack

Kodak Vision Color Print Film 2383

Subtractive 3 color: Chromogenic monopack

Kodak Vision Premiere Color Print Film 2393

Subtractive 3 color: Chromogenic monopack

Kodak EXR Primetime 640T Teleproduction Film 5620 / 7620

Subtractive 3 color: Chromogenic monopack

Kodak Vision 320T Color Negative Film 5277 / 7277 (Q)

Subtractive 3 color: Chromogenic monopack, Tungsten, 320 ASA

Kodak Vision 500T Color Negative Film 5279 / 7279 (U)

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Fujicolor Positive Film F-CP 3519

Subtractive 3 color: Chromogenic monopack

Eastman EXR Primetime 640T Teleproduction Film 5600 (P)

Subtractive 3 color: Chromogenic monopack, Tungsten, 650 ASA

Eastman EXR 500T 5298 / 7298 (T)

Subtractive 3 color: Chromogenic monopack

Eastman EXR 200T 5287 / 7287 Ultra Latitude (W)

Subtractive 3 color: Chromogenic monopack, Tungsten, 200 ASA

Eastman EXR Color Print Film 2386 / 3386

Subtractive 3 color: Chromogenic monopack

Eastman EXR Color Print Film 5386 / 7386

Subtractive 3 color: Chromogenic monopack

Eastman Color LC Print Film 5385 / 7385

Subtractive 3 color: Chromogenic monopack

Eastman EXR Color Intermediate Film 5244 / 7244

Subtractive 3 color: Chromogenic monopack

Eastman EXR 200T Color Negative Film 5293 / 7293

Subtractive 3 color: Chromogenic monopack

Experimental Eastman Separation Film (5238)

Subtractive 3 color: Chromogenic monopack

Eastman Color Intermediate Film 2244

Subtractive 3 color: Chromogenic monopack

Eastman EXR 100T Color Negative Film 5248

Subtractive 3 color: Chromogenic monopack, Tungsten, 100 ASA

Eastman EXR 500T Color Negative Film 7296

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman EXR 100T Color Negative Film 7248

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman EXR 50D Color Negative Film 5245 / 7245

Subtractive 3 color: Chromogenic monopack

Eastman EXR 500T Color Negative Film 5296

Subtractive 3 color: Chromogenic monopack

Eastman Fine Grain Release Positive Film 5302 / 7302

Subtractive 3 color: Chromogenic monopack

Fuji F-Series 8510 / 8610 F64T

Subtractive 3 color: Chromogenic monopack, Tungsten, 64 ASA

Fuji F-Series 8520 / 8620 F64D

Subtractive 3 color: Chromogenic monopack, daylight, 64 ASA

Fuji F-Series 8530 / 8630 125T

Subtractive 3 color: Chromogenic monopack, Tungsten, 125 ASA

Fuji F-Series 8550 / 8650 F250T

Subtractive 3 color: Chromogenic monopack, Tungsten, 250 ASA

Fuji F-Series 8560 / 8660 F-250D

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Fuji F-Series 8570 / 8670 F-500T

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

Eastman Color High Speed Negative, type 5295 / 7295

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

Agfa negative XT 125

Subtractive 3 color: Chromogenic monopack, Tungsten, twin silver halides

Agfa negative XT 320

Subtractive 3 color: Chromogenic monopack, Tungsten, twin silver halides

Eastman Color High Speed Negative Film 7292

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative AX, type 8514

Subtractive 3 color: Chromogenic monopack, 35 mm, 16 mm, Tungsten, 500 ASA

Eastman Color Negative, ASA 125, type 5247

Subtractive 3 color: Chromogenic monopack, Tungsten, 125 ASA, DIR coupler

Eastman Color High Speed Negative, type 5294

Subtractive 3 color: Chromogenic monopack, Tungsten, 400 ASA, DIR coupler

Eastman Color Negative Film 7291

Subtractive 3 color: Chromogenic monopack, Tungsten, 100 ASA

Eastman Color LC Print Film 5380 / 7380

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative A, type 8511

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative High Speed AX, type 8512

Subtractive 3 color: Chromogenic monopack

Eastman Color High Speed Negative, type 5293

Subtractive 3 color: Chromogenic monopack, Tungsten, 250 ASA, DIR coupler

Eastman Ektachrome 7251

Subtractive 3 color: Chromogenic monopack, high speed, color reversal, 16mm, daylight

Eastman Color Print Film 5384 / 7384

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative A, type 8517

Subtractive 3 color: Chromogenic monopack

Eastman Color II Negative, type 5247 / 7247 F

Subtractive 3 color: Chromogenic monopack

Eastman Color II Internegative Film 5272 / 7272 S

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative A 250, type 8518

Subtractive 3 color: Chromogenic monopack

Taihang Color

Subtractive 3 color: Chromogenic monopack

Eastman Color LF Print Film 7378

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Color LFSP Film 7379

Subtractive 3 color: Chromogenic monopack, 16mm

Gevacolor T 6 82

Subtractive 3 color: Chromogenic monopack

Polavision

Diffusion: Line screen, super-8 mm

13 Images

Eastman Ektachrome High Speed Video News Film 7250

Subtractive 3 color: Chromogenic monopack, 16mm, Tungsten, 400 ASA

Eastman Ektachrome VN Print Film 7399

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Color SP Low Contrast (minus 25%) Print Film 5738 / 7738

Subtractive 3 color: Chromogenic monopack

Polachrome

35mm Slide Film

4 Images in 1 Gallery

Eastman Ektachrome Video News Film 7239

Subtractive 3 color: Chromogenic monopack, 16mm

Ektachrome Video News

Subtractive 3 color: Chromogenic monopack, 16mm reversal, high-speed

Orwochrom

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm

84 Images in 3 Galleries

Eastman Ektachrome, type 5239

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 160 ASA, TV film

Eastman Ektachrome, type 5240 (VNF)

Subtractive 3 color: Chromogenic monopack, reversal, Tungsten, 125 ASA, video news film

Eastman Ektachrome Video News Film 7240

Subtractive 3 color: Chromogenic monopack

Svema LN-8

Subtractive 3 color: Chromogenic monopack

Eastman Ektachrome SM, type 7244

Subtractive 3 color: Chromogenic monopack, reversal, super 8

Eastman Color II Negative, type 5247 / 7247

Subtractive 3 color: Chromogenic monopack, Tungsten, 100 ASA, DIR coupler

3M Color Positive, type 651

Subtractive 3 color: Chromogenic monopack

Eastman Color SP Print Film 5383 / 7383

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 80

Subtractive 3 color: Chromogenic monopack

Svema CO-T-22 D

Subtractive 3 color: Chromogenic monopack

Svema LN-7

Subtractive 3 color: Chromogenic monopack

Gevacolor Print Film T 9 86

Subtractive 3 color: Chromogenic monopack

Dymat Process

Subtractive 3 color: Dye transfer, Super-8

Eastman Ektachrome Reversal Print Film 7390 (SO-390)

Subtractive 3 color: Chromogenic monopack, 16mm reversal

Fujicolor Negative, type 8516

Subtractive 3 color: Chromogenic monopack

Svema CO-T-90 L

Subtractive 3 color: Chromogenic monopack

Orwocolor NC 3

Subtractive 3 color: Chromogenic monopack

Eastman Ektachrome, type A

Subtractive 3 color: Chromogenic monopack, reversal, super 8, Tungsten, 160 ASA

Gevacolor Print Film T 9 85

Subtractive 3 color: Chromogenic monopack

3M Color Positive Film

Subtractive 3 color: Chromogenic monopack

4 Images

3M Color Positive, type 650

Subtractive 3 color: Chromogenic monopack

Eastman Ektachrome Commercial Film 7252

Subtractive 3 color: Chromogenic monopack, 16 mm, Tungsten, 25 ASA

Eastman Ektachrome R Print Film 7389

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Color Print Film 5381 / 7381 (1970)

Subtractive 3 color: Chromogenic monopack
Not to be confused with the Eastman Color Print Film 5381 from 1950.

Svema LN-6M

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8515

Subtractive 3 color: Chromogenic monopack

Anscochrome, type 5311

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 64 ASA

Ferrania Type HS Color Release Positive

Subtractive 3 color: Chromogenic monopack

Eastman Direct MP Film 5360 / 7360

Subtractive 3 color: Chromogenic monopack

Eastman Color Reversal Intermedeate Film 5249 / 7249

Subtractive 3 color: Chromogenic monopack, reversal

Eastman Color Intermediate Film 5253 / 7253

Subtractive 3 color: Chromogenic monopack

Eastman Color Internegative Film 5271 / 7271

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 55

Subtractive 3 color: Chromogenic monopack

Fujicolor Positive, type 8819

Subtractive 3 color: Chromogenic monopack
See also Fujicolor.

Gevacolor Positive Film T 9 54

Subtractive 3 color: Chromogenic monopack

Indu Colour

Subtractive 3 color: Chromogenic monopack

2 Images

Anscochrome, type 5550

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 500 ASA

Eastman Color Print Film 5744

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 7380

Subtractive 3 color: Chromogenic monopack, 16mm

Eastman Color Negative, type 3251

Subtractive 3 color: Chromogenic monopack

Gevachrome

Subtractive 3 color: Chromogenic monopack, reversal 16mm

10 Images in 1 Gallery

Ektachrome R Print

Subtractive 3 color: Chromogenic monopack, 16mm reversal

Fotoncolor OR Fotonkolor

Subtractive 3 color: Chromogenic monopack

1 Image

Eastman Color Negative, type 5254 / 7254

Subtractive 3 color: Chromogenic monopack, Tungsten, 100 ASA

Fujicolor Positive, type 8818

Subtractive 3 color: Chromogenic monopack
See also Fujicolor.

Ektachrome EF

Subtractive 3 color: Chromogenic monopack, 16mm reversal, high speed

Eastman Ektachrome EF, type 5242 / 7242, type B

Subtractive 3 color: Chromogenic monopack, reversal, Tungsten, 125 ASA, TV film

Eastman Ektachrome EF, type 5241 / 7241

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 160 ASA, TV film

Fujicolor Negative, type 8513

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8514

Subtractive 3 color: Chromogenic monopack

Orwocolor

Subtractive 3 color: Chromogenic monopack

1026 Images in 27 Galleries

Agfacolor Negative, type 5 (CN5)

Subtractive 3 color: Chromogenic monopack, universal

Anscochrome, type 5240

Subtractive 3 color: Chromogenic monopack, reversal, Tungsten, 100 ASA

1 Image

Anscochrome, type 5210

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 100 ASA

Anscochrome, type 5230

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 200 ASA

Eastman Reversal Print Film 7387

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm

Gevacolor T 6 54

Subtractive 3 color: Chromogenic monopack

Orwocolor NC 1

Subtractive 3 color: Chromogenic monopack

Agfa-Gevaert

Subtractive 3 color

Ektachrome MS

Subtractive 3 color: Chromogenic monopack, 16mm and 35mm reversal

Eastman Ektachrome MS, type 5256

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 125 ASA, TV film

Eastman RP Negative Film 7229

Subtractive 3 color: Chromogenic monopack

Svema DS-5M

Subtractive 3 color: Chromogenic monopack

Svema LN-5M

Subtractive 3 color: Chromogenic monopack

Polacolor Instant Photography

instant still photography
“Polacolor was commercialized in 1963 and became an immediate success. It was acclaimed as the “most outstanding single advance in photographic science made during this century” (Crawley 1963). Indeed, Polacolor introduced important new ...

4 Images

Panacolor

Subtractive 3 color: Color separation, multilayer print

11 Images in 1 Gallery

Agfachrome

Subtractive 3 color: Chromogenic monopack, reversal, small gauge

2 Images

Eastman Color Negative, type 5251

Subtractive 3 color: Chromogenic monopack, Tungsten, 50 ASA

Agfacolor Negative, type G 432

Subtractive 3 color: Chromogenic monopack, Tungsten

Eastman Color Print Film 5385 / 7385

Subtractive 3 color: Chromogenic monopack

Ferraniacolor Cine Universal

Subtractive 3 color: Chromogenic monopack

Svema DS-4

Subtractive 3 color: Chromogenic monopack

Kodachrome II

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm, 25 to 40 ASA
Kodachrome II was introduced in 1961. It was the first film stock since 1936 that was specifically meant for amateur use. Eastman Kodak presented the material as superior to the ‘regular Kodachrome’. It supposedly had a higher speed of 25 ...

84 Images in 5 Galleries

Ektachrome ER

Subtractive 3 color: Chromogenic monopack, 16mm and 35mm reversal

Eastman Ektachrome ER, type 5257

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 160 ASA

1 Image

Eastman Ektachrome ER, type B, type 5258

Subtractive 3 color: Chromogenic monopack, reversal, Tungsten, 125 ASA

Agfacolor Negative, type 4 (CN4)

Subtractive 3 color: Chromogenic monopack, universal

Svema DS-3

Subtractive 3 color: Chromogenic monopack

Svema LN-3

Subtractive 3 color: Chromogenic monopack

Dynachrome

Subtractive 3 color: Chromogenic monopack, small gauge, double 8

Moviechrome

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm

Eastman Color Negative, type 5250

Subtractive 3 color: Chromogenic monopack, Tungsten, 50 ASA

1 Image

Eastman Color Reversal Film SO-260

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 160 ASA

Eastman Color Reversal Film SO-260

Subtractive 3 color: Chromogenic monopack, reversal, Tungsten, 125 ASA

Eastman Color Print Film 7383

Subtractive 3 color: Chromogenic monopack

Ektachrome Commercial Type 7255

Subtractive 3 color: Chromogenic monopack, 16mm reversal

1 Image

Columbiacolor

Subtractive 3 color: Chromogenic monopack, Eastman Color

Gevacolor T 6 53

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8512

Subtractive 3 color: Chromogenic monopack

Eastman Ektachrome Commercial, type 7255

Subtractive 3 color: Chromogenic monopack, 16mm reversal

Super Anscochrome Tungsten, type 226

Subtractive 3 color: Chromogenic monopack, reversal, 16mm
See Anscochrome and Super Anscochrome Daylight, type 225.

Gevacolor Positive Film T 9 53

Subtractive 3 color: Chromogenic monopack

Fomacolor

Subtractive 3 color: Chromogenic monopack
A chromogenic process based on Agfacolor, see detail page Agfacolor Neu / Agfacolor.

18 Images

Ansco Color Negative, type 845

Subtractive 3 color: Chromogenic monopack

Super Anscochrome Daylight, type 225

Subtractive 3 color: Chromogenic monopack, reversal, 16mm
See Anscochrome and Super Anscochrome Tungsten, type 226.

Eastman Embossed Kinescope Recording Film

Additive 3 color: Lenticular screen

2 Images

Eastman Reversal Color Print Film Type 5269 / 7387

Subtractive 3 color: Chromogenic monopack, reversal
Eastman Kodak reversal film duplication stock for (semi)professional use. Replaced Type 5265. Type 7387 introduced in 1964 as improved version. Difficult to see the difference (BL).

Eastman Color Internegative Film 5270 / 7270

Subtractive 3 color: Chromogenic monopack

Eastman Color Intermedeate Film 5253

Subtractive 3 color: Chromogenic monopack

Eastman Panchromatic Separation Film 5235

Black and white panchromatic film: Three-color separation positives from color negatives

Svema DS-2

Subtractive 3 color: Chromogenic monopack

Svema LN-2

Subtractive 3 color: Chromogenic monopack

Ansco Color Dupe Negative, type 846

Subtractive 3 color: Chromogenic monopack

Ansco Color Print Film, type 848

Subtractive 3 color: Chromogenic monopack

Ansco Color Reversal Duplicating Film, type 538

Subtractive 3 color: Chromogenic monopack, reversal

Mondiacolor

Additive 3 color: Mosaic screen

Anscochrome

Subtractive 3 color: Chromogenic monopack, reversal, 16mm

3 Images in 1 Gallery

Agfacolor Negative, type 3 (CN3)

Subtractive 3 color: Chromogenic monopack, universal

Eastman Television Recording Film 5374 / 7374

Subtractive 3 color: Chromogenic monopack

Fujicolor Negative, type 8511

Subtractive 3 color: Chromogenic monopack

Agfacolor Negative, type B 333

Subtractive 3 color: Chromogenic monopack, daylight
For more information on the Agfacolor chromogenic process see Agfacolor Neu / Agfacolor.

11 Images

Agfacolor Negative, type G 334

Subtractive 3 color: Chromogenic monopack, Tungsten

Technicolor No. V: Dye transfer prints from chromogenic negative

Subtractive 3 color: Dye transfer
With the introduction of the chromogenic Eastmancolor negative/positive process it became possible to shoot with a normal one-strip camera. Three b/w color separations were produced from the Eastmancolor negative and printed by dye transfer on blank ...

2261 Images in 41 Galleries

Agfacolor Positiv Typ 5

Subtractive 3 color: Chromogenic monopack

1 Image

Ferraniacolor, type 54

Subtractive 3 color: Chromogenic monopack

Gevacolor T 6 52

Subtractive 3 color: Chromogenic monopack

Eastman Color Negative, type 5248

Subtractive 3 color: Chromogenic monopack, Tungsten, 25 ASA

1 Image

Ansco Color Negative, type 844

Subtractive 3 color: Chromogenic monopack, Tungsten, 16 ASA

Eastman Color Internegative Film 5245

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 5382 / 7382

Subtractive 3 color: Chromogenic monopack

Dugromacolor

Additive 3 color: Beam-splitter, substandard

1 Image

Agfacolor Negative, type 2

Subtractive 3 color: Chromogenic monopack, daylight

Ansco Color Negative, type 843

Subtractive 3 color: Chromogenic monopack, daylight, 16 ASA

Eastman Color Internegative Film 5243

Subtractive 3 color: Chromogenic monopack

Eastman Color Print Film 7282

Subtractive 3 color: Chromogenic monopack, 16 mm

Supercinecolor / Natural Color

Subtractive 3 color: Color separation, duplitized film, third layer added

Eastman Lenticular Print Film Type 5306

Additive 3 color: Lenticular screen

Agfacolor Negative

Subtractive 3 color: Chromogenic monopack, daylight

Agfacolor L

Subtractive 3 color: Chromogenic monopack
L stands for the Leverkusen brand of Agfacolor. N for negative, K for tungsten (Kunstlicht) and T for daylight (Tageslicht).

13 Images in 2 Galleries

Eastman Panchromatic Separation Film 5216

Black and white panchromatic film: Three-color separation positives from color negatives

Chromart Simplex

Subtractive 2 color: Chromogenic monopack

Alfacolour / Alfacolor

Subtractive 2 color: Bi-pack, duplitized film

Chromart Tricolor

Subtractive 3 color: Chromogenic monopack

Colorvision

Additive 3 color: Beam-splitter

Eastman Multilayer Stripping Film / Kodak Stripping Film

Subtractive 3 color: Stripping film

Eastman Color

Subtractive 3 color: Chromogenic monopack
“The Eastman Colour Films are multilayer films of the type in which the layers are not separated after exposure. Films of this class are known as Multilayer, Monopack or Integral Tripack. “Multilayer” is descriptive not only of this ...

707 Images in 23 Galleries

Eastman Color Negative, type 5247

Subtractive 3 color: Chromogenic monopack, daylight, 16 ASA

Ansco Color negative / positive process

Subtractive 3 color: Chromogenic monopack, negative / positive

26 Images in 2 Galleries

Opticolor

Additive 3 color: Lenticular screen

Eastman Color Print Film 5381 (1950)

Subtractive 3 color: Chromogenic monopack
Not to be confused with the Eastman Color Print Film 5381 / 7381 from 1970.

Eastman Color Print Film 5281 / 7281

Subtractive 3 color: Chromogenic monopack

Trucolor 3 color

Subtractive 3 color: Color separation on DuPont Release Positive Film

DuPont Stripping Negative

Subtractive 3 color: Stripping film

2 Images

DuPont Color Film Type 275

Subtractive 3 color: Color release positive stock, multilayer monopack

4 Images

Ferrania color / Ferraniacolor / 3M color

Subtractive 3 color: Chromogenic monopack

217 Images in 8 Galleries

Fujicolor

Subtractive 3 color: Chromogenic monopack reversal (from 1949), negative/positive process (from 1955)
“The Fujicolor process is a three-color subtractive negative/positive process introduced in 1955 by the Fuji Photo Film Co., Ltd., Tokyo, Japan. When the process was introduced it consisted of two elements that could be used singly or together. ...

141 Images in 7 Galleries

Rouxcolor 4 color

Additive 4 color: 4 lenses

7 Images in 1 Gallery

Cinefotocolor

Subtractive 2 color: Bi-pack

Pinchart

Additive 3 color: Four lenses, red-green-blue-grey

2 Images

Technichrome

Subtractive 2 color: Dye transfer, 2 color bi-pack, 3 color printing

4 Images in 1 Gallery

Gevacolor Negative

Subtractive 3 color: Chromogenic monopack

4 Images in 1 Gallery

Gevacolor T 6 51

Subtractive 3 color: Chromogenic monopack

Ansco One-Strip Color-Separation Film, type 155

Subtractive 3 color: one-strip color separation
See Ansco Colorpak / Ansco Color, type 735, Ansco Color Release Film, type 732 and Ansco Color Duplicating Film, type 132.

Thomson Color

Additive 3 color: Lenticular screen

3 Images

Americolor

Subtractive 2 color: Bi-pack, duplitized

Polacolor

Subtractive 3 color: Color separation, multicolor dye images

Trucolor 2 color

Subtractive 2 color: Bi-pack, double-coated with dye couplers
“By the 1940s, most of the two-colour subtractive processes, apart from Cinecolor, were obsolete. The widespread use of the high-quality Technicolor process showed up the serious deficiencies in the simpler methods. The only significant new ...

Svema DS-1

Subtractive 3 color: Chromogenic monopack

British Tricolour / Dufaychrome

Subtractive 3 color: Beam-splitter, three-strip, multiple printing

19 Images in 3 Galleries

Sakuracolor

Subtractive 3 color: Chromogenic monopack, reversal

Ansco Colorpak / Ansco Color, type 735

Subtractive 3 color: Chromogenic monopack, reversal 35 mm, 12 ASA

Svema LN-1

Subtractive 3 color: Chromogenic monopack

Kodachrome Commercial Type 5268

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
In 1946 Kodachrome Commercial camera film Type 5268 was introduced. This stock had a lower-contrast emulsion and became leading in the professional field until it was replaced by Ektachrome Commercial type 7255 in 1958. Both Commercial Kodachrome and ...

Konicolor

Subtractive 3 color

“The Konicolor system, introduced by Konishiroku Shashin Kogyo (Now Konica Minolta Holdings, Inc.), split the image into three colors and shot them separately onto three b&w films. In that sense it had something in common with the US ‘Technicolor system’, but this was not a contact print with color dye to create positive film, but used coated emulsion to develop each color in a triple process, which is peculiar. […].”

Ansco Color Duplicating Film, type 132

Subtractive 3 color: Chromogenic monopack
See Ansco Color, type 735.

Ansco Color Release Film, type 732

Subtractive 3 color: Chromogenic monopack
See Ansco Color, type 735.

Sovcolor negative film type B

Subtractive 3 color: Chromogenic monopack, daylight

15 Images in 3 Galleries

Sovcolor negative type G

Subtractive 3 color: Chromogenic monopack, Tungsten

2 Images

Fullcolor

Subtractive 2 colors: Bi-pack, duplitized film

Kodachrome Professional Film Type 5267

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm 35mm?
Kodachrome Professional was introduced in 1942 to be used as camera material. It was the Kodachrome material that was blown up to 35mm Technicolor dye transfer prints, which was the Technicolor Monopack system. According to Norris Pope this material ...

Gaspar Color subtractive 2 color

Subtractive 2 color: Silver dye-bleach

Agfacolor Negative type B2

Subtractive 3 color: Chromogenic monopack, daylight
For more information on the Agfacolor chromogenic process see Agfacolor Neu / Agfacolor.

37 Images in 2 Galleries

Agfacolor Negative type G2

Subtractive 3 color: Chromogenic monopack, Tungsten

Technicolor Monopack / Kodachrome Professional Type 5267 / Eastman Monopack 7267

Subtractive 3 color: Chromogenic monopack
During the 1940s Kodachrome was used as camera material for films that were blown up to 35mm Technicolor projection prints. Technicolor used this technology from 1942 until the mid-1950s when Eastman Kodak introduced the Eastmancolor ...

Agfacolor Negative type B

Subtractive 3 color: Chromogenic monopack, daylight
For more information on the Agfacolor process see the detail page Agfacolor Neu / Agfacolor.

21 Images

Agfacolor Negative type G

Subtractive 3 color: Chromogenic monopack, Tungsten

Agfacolor Negative type G was a chromogenic camera negative balanced for Tungsten illumination.

14 Images in 2 Galleries

Iriscolor

Subtractive 3 color: Beam-splitter camera, imbibition printing
Similar to Technicolor, the Iriscolor process needed a special beam-splitter camera for exposing three black-and-white negatives on Kodak film stock. These negatives were used for imbibition printing. Between 1940 and 1942, Tobis Tonbild-Syndikat AG ...

Kodachrome Color Reversal Film 5265

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
Duplicating stock for reversal film. Replaced Kodachrome duplicating stock type 5262. Contrary to its predecessor the new stock was not suited as camera material. Type 5265 could only be used for duplication.

Telco color subtractive 2 color

Subtractive 2 color: Split optics, side by side, duplitized film

1 Image

Dufaycolor reversal

Additive 3 color: Line screen (réseau), 16 mm, reversal
(see detail page on Dufaycolor)

Pantachrom

Subtractive 3 color: Bi-pack and lenticular film recording, duplitized film with toning and silver dye-bleach
“In October, Eggert of the Agfa Research Department, read a paper at the Berlin meeting of the Deutsche Gesellschaft für photographische Forschung, on the Pantochrom subtractive lenticular bipack tricolor process. (Fig. 1) The green and blue ...

19 Images in 3 Galleries

Kodachrome Color Reversal Film Type 5262

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm
Although Kodachrome 16mm reversal film was introduced as an amateur film format, rapidly after its introduction it became a format frequently used by (semi-)professional film makers. The reason was that Kodachrome was a relatively easy to use film ...

Dunning Color

Subtractive 3 color: Beam-splitter, double-coated

Telco Color, additive 2 color

Additive 2 color: Split optics, side by side

Agfacolor Neu / Agfacolor

Subtractive 3 color: Chromogenic monopack, reversal (from 1936), negative/positive process (from 1939)
“The New Agfacolor Process; Agfa Ansco Corp., Binghamton, N. Y. A survey of the history of monopack or multilayer photographic color processes is given, including the coloring methods of greatest importance at the present time. These are: (a) ...

637 Images in 21 Galleries

Hirlicolor

Subtractive 2 color: Bi-pack

2 Images

Berthon-Siemens / Siemens-Berthon / Siemens-Perutz-Verfahren / Opticolor

Additive 3 color: Lenticular screen

5 Images

Russian three-color process

Subtractive three color

6 Images

Cosmocolor

Additive 2 color: Beam-splitter, double-coated

2 Images

Dascolour

Subtractive 2 color: Bi-pack, double-coated print

1 Image

Francita-Reality / Francita / Opticolor / Realita

Additive 3 color: Beam-splitter and rotary fllter, substandard

9 Images in 1 Gallery

Harmonicolor

Subtractive 2 color: Bi-pack, double-coated
“Harmonicoior was developed by French chemist Maurice Combes. It was first formally demonstrated in London by Harmonicoior Films Ltd, of 4 Great Winchester Street, on the 23 March 1936 at the Curzon Soho with the film Talking Hands, produced at ...

Kodachrome

Subtractive 3 color: Chromogenic monopack, reversal, 8 and 16 mm

“In 1930 Mannes and Godowsky were invited to join the staff of the Kodak Research Laboratory, where they concentrated on methods of processing multilayer films, while their colleagues worked out ways of manufacturing them. The result was the new Kodachrome film, launched in 1935. Three very thin emulsion layers were coated on film base, the emulsions being sensitised with non-wandering dyes to red, green and blue light, the red-sensitive layer being at the bottom.” (Coe, Brian (1978): Colour Photography. The First Hundred Years 1840-1940. London: Ash & Grant, pp. 121 ff.)

92 Images in 6 Galleries

Crosene Process

Additive 4 color: Bi-pack, substandard

Cinemacolor

Additive 2 color: Beam-splitter, sub-standard vertical

2 Images

Thomascolor

Additive 3 color: 4 images on 65 mm

2 Images

Sistema Cristiani-Mascarini

Additive four-color: beam splitter and filters, four images on 35mm black and white film.
For this four-color process, the light beam was decomposed into four parts, each of which simultaneously exposed an area equal to one quarter of the 35mm frame of a black and white negative. This was obtained optically by placing a diaphragm and a ...

2 Images

Dufaycolor

Additive 3 color: Line screen (réseau), 35 mm and 16 mm, reversal and negative-positive stock

Dufaycolor was a regular line screen process whereby the incident light was filtered through a pattern of tiny color patches created by lines in red, green and blue, the so called réseau.

230 Images in 9 Galleries

Hillman Process

Additive 3 color: Rotary filter, mirror system with two lenses

3 Images

Morgana Process

Additive 2 color: Alternating filters, 16 mm

1 Image

Gasparcolor OR Gaspar Color

Subtractive 3 color: Silver dye-bleach multilayer print film

Gasparcolor was the first three-color multi-layer monopack film available for practical use. It was a double-coated print film with a cyan layer on one side and two layers dyed magenta and yellow on the other side (see illustrations).

401 Images in 24 Galleries

Vericolor

Subtractive 2 color: unknown

40 Images

Bocca-Rudatis

Additive 3 color: lenticular screen
The procedure for obtaining the lenticular elements in relief required a series of steps: starting from three black and white positive color separations, obtained with any of the available methods, three matrices were printed, from which the film to ...

1 Image

Irix-Farbenfilm

Subtractive three-color process: imbibition
Three matrices in the subtractive primary colors are printed on the gelatin of the final print. Supposedly, the used dyes were particularly fast and able to prevent color bleeding. Pokorny started working on color cinematography in the 1920s, often ...

Chemicolor / Ufacolor in GB

Subtractive 2 color: Bi-pack, mordant toning
“Chemicoior was the name under which the German Ufacolor Process was marketed in Britain. Ufacolor was also marketed under the name Spectracolor. The process used Agfa bipack negatives loaded with the emulsion sides facing and separated by a ...

9 Images in 2 Galleries

Spectracolor (= British version of Ufacolor)

Subtractive 2 color: Bi-pack, mordant toning

Agfacolor lenticular / Agfacolor Linsenrasterfilm

Additive 3 color: Lenticular screen
The basic idea of the lenticular film was developed by the German Raphaël Liesegang in 1896 and applied to still photography by the French Rodolphe Berthon in 1908. The lenticular process applies tiny cylindrical lenses embossed on the film support ...

15 Images

Rouxcolor 2 color / Cineoptichrome

Additive 2 color: Beam-splitter

2 Images

Cinecolor (subtractive 2 color)

Subtractive 2 color: Bi-pack, duplitized film

93 Images in 9 Galleries

Technicolor No. IV: Three-strip

Subtractive 3 color: Color separation, beam-splitter, dye transfer
With the fourth Technicolor process the company dominated the market for color films from the mid-1930s to the 1950s. In a special camera, three b/w negative films were exposed through a beam-splitter that consisted of two prisms to form a cube. One ...

1880 Images in 65 Galleries

Roncarolo

Subtractive 2, 3 or 4 color: Beam-splitter and bi-pack, later dye-transfer
The Roncarolo system required a camera capable of recording two panchromatic negatives (which became three or four in subsequent patents) through the use of a beam splitter and red and green filters. The chromatic information registered on the two or ...

Magnachrome

Additive 2 color: Bi-pack, half-size

Coloratura

Subtractive 2 color: Bi-pack, dupitized positive, toned
“Coloratura. This is the process of Pathé Exchange at Bound Brook, N. J. Negatives are made by the bi-pack method. Prints are made on double-sided film and are dye-toned on one side and metallic-toned on the other. The double-sided film, ...

Ufacolor

Subtractive 2 color: Bi-pack, mordant toning

136 Images in 7 Galleries

Chimicolor

Subtractive 3 color: Beam-splitter, double-coated film, mordant toning

2 Images

Magnacolor

Subtractive 2 color: Bi-pack, double-coated
“An American two-colour subtractive process still worked by the Consolidated Film Industries division of Republic Pictures Corporation. This concern was licensed by the owners of the “Prizma” patents, which it will be remembered was ...

23 Images in 2 Galleries

Rotocolor

Additive 2 color: Rotary filter
“The Rotocolor process was an additive system for color cinematography. The process was announced in 1931 by H. Muller. According to an article in Film Daily, April 12, 1931, and The Motion Picture Herald, April 11, 1931, the process consisted of ...

Rota Farbenfilm

Subtractive 2 color: Bi-pack, mordant toning

13 Images in 2 Galleries

Russian two-color system

Subtractive two color

1 Image

DuChrome

Additive: spatial synthesis

Photocolor

Subtractive 2 color: Beam-splitter, double-coated