Agfacolor Negative, type G 432

Subtractive 3 color: Chromogenic monopack, Tungsten

Hand coloring

Applied colors: Manual application

Coloring of individual frames by the use of very fine brushes. The process was previously applied to lantern slides. Any water based translucent dye was suited for the process, most often the coloring was done with acid dyes.

310 Images in 19 Galleries

Chromolithography

Applied colors: printing
Widely used in print media around 1900, the chromolithographic printing process was first adapted for the Laterna Magica and then utilized to produce early animated films primarily aimed at children. These films were usually very short ...

119 Images in 3 Galleries

Technicolor No. II

Subtractive 2 color: 2 toned films cemented

The first subtractive 2 color process introduced by Technicolor captured the incoming light through a beam splitter with red and green filters also. However, in contrast to the first Technicolor process, the two b/w images were recorded on one negative strip. This was achieved by the pull-down of two frames simultaneously, a process that required the double speed in the camera. These two frames were arranged in pairs, whereby the green record was inverted up-side down (see image).

133 Images in 8 Galleries

Technicolor No. III

Subtractive 2 color: Beam-splitter, dye transfer

The third Technicolor process used the same camera as process no. II to combine a pair of frames of the red and green record respectively on the b/w negative (see image). In contrast to the former process, however, the two images were printed on one side of the positive by the dye transfer or imbibition process.

1298 Images in 38 Galleries

Technicolor No. IV: Three-strip

Subtractive 3 color: Color separation, beam-splitter, dye transfer
With the fourth Technicolor process the company dominated the market for color films from the mid-1930s to the 1950s. In a special camera, three b/w negative films were exposed through a beam-splitter that consisted of two prisms to form a cube. One ...

1887 Images in 65 Galleries

Technichrome

Subtractive 2 color: Dye transfer, 2 color bi-pack, 3 color printing

4 Images in 1 Gallery

Technicolor No. V: Dye transfer prints from chromogenic negative

Subtractive 3 color: Dye transfer
With the introduction of the chromogenic Eastmancolor negative/positive process it became possible to shoot with a normal one-strip camera. Three b/w color separations were produced from the Eastmancolor negative and printed by dye transfer on blank ...

2181 Images in 41 Galleries

Technicolor Monopack / Kodachrome Professional Type 5267 / Eastman Monopack 7267

Subtractive 3 color: Chromogenic monopack
During the 1940s Kodachrome was used as camera material for films that were blown up to 35mm Technicolor projection prints. Technicolor used this technology from 1942 until the mid-1950s when Eastman Kodak introduced the Eastmancolor ...

Technic-Colour

Subtractive 2 color: Beam-splitter, duplitized

Svema LN-1

Subtractive 3 color: Chromogenic monopack

Svema DS-1

Subtractive 3 color: Chromogenic monopack

Svema DS-2

Subtractive 3 color: Chromogenic monopack

Svema LN-2

Subtractive 3 color: Chromogenic monopack

Svema DS-3

Subtractive 3 color: Chromogenic monopack

Svema LN-3

Subtractive 3 color: Chromogenic monopack

Svema DS-4

Subtractive 3 color: Chromogenic monopack

Svema DS-5M

Subtractive 3 color: Chromogenic monopack

Svema LN-5M

Subtractive 3 color: Chromogenic monopack

Svema LN-6M

Subtractive 3 color: Chromogenic monopack

Svema CO-T-90 L

Subtractive 3 color: Chromogenic monopack

Svema CO-T-22 D

Subtractive 3 color: Chromogenic monopack

Svema LN-7

Subtractive 3 color: Chromogenic monopack

Svema LN-8

Subtractive 3 color: Chromogenic monopack

Splendicolor

Subtractive 3 color: Beam-splitter, double-coated film, bichromated gelatin, Pinatype

Thomson Color

Additive 3 color: Lenticular screen

3 Images

Francita-Reality / Francita / Opticolor / Realita

Additive 3 color: Beam-splitter and rotary fllter, substandard

9 Images in 1 Gallery

Opticolor

Additive 3 color: Lenticular screen

Bassani

Additive 3 color: Successive exposure, 72 fps
“Camera.—An interesting camera has been made by the Société Chromofilm, Paris. An astonishing mechanism moves the entire gate, and film within it, at each exposure, with reference to the normal fixed objective. Three miniature negatives are ...

3 Images in 1 Gallery

Sennett Color

Subtractive 2 color: Bi-pack, double coated, toned
“Public showings of the work done at this plant in Hollywood have been given to Los Angeles audiences. The release prints are made on double sided film. Both sides are developed at one time and then toned red on one side and bluegreen on the ...

18 Images in 1 Gallery