Fujifilm integral films

1981–

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Fujifilm Corporation

Subtractive 3 color: dye diffusion process, still photography

“The chemistry and structure layer of Fuji FI-10 integral film were very similar to those of Kodak PR-10, with the film being exposed on one side and viewed on the opposite side. However, its layers were much thinner than those of Kodak and ...

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Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 245.

1 Image

Eastman Color High Speed Negative, type 5293

1981

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(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, Tungsten, 250 ASA, DIR coupler

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Fujicolor Negative A, type 8517

1981

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(Fuji Photo Film Co., Ltd.)

Subtractive 3 color: Chromogenic monopack

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Eastman Ektachrome 7251

1981

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Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack, high speed, color reversal, 16mm, daylight

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Eastman Color Print Film 5384 / 7384

1981

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Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack

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ArchivalColor

1982

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Charles Berger, McGraw Colorgraph

Subtractive 4 color: pigment process, still photography

“In the early 1980s photographers frustrated by the poor stability of dye coupling materials started to experiment with pigment processes. Among them was Charles Berger, a California-based fine art photographer who, in 1982, developed a modern ...

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Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 93.
Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 94.

2 Images

Eastman Color Negative, ASA 125, type 5247

1983

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(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, Tungsten, 125 ASA, DIR coupler

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Eastman Color High Speed Negative, type 5294

1983

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(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, Tungsten, 400 ASA, DIR coupler

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Fujicolor Negative A, type 8511

1983

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(Fuji Photo Film Co., Ltd.)

Subtractive 3 color: Chromogenic monopack

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Eastman Color Negative Film 7291

1983

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Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack, Tungsten, 100 ASA

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Agfachrome-Speed

1983

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Agfa-Gevaert

Subtractive 3 color: dye diffusion process, still photography

“Agfa-Gevaert developed its own instant printing materials during the 1980s, Agfachrome-Speed and Copycolor, both introduced commercially in 1983. Agfachrome-Speed was a single-sheet integral print material, whereas Copycolor was a peel-apart. ...

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Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 246.
Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 261.

2 Images

Fujicolor Negative High Speed AX, type 8512

1983

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(Fuji Photo Film Co., Ltd.)

Subtractive 3 color: Chromogenic monopack

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Eastman Color LC Print Film 5380 / 7380

1983

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Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack

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Copycolor

1983

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Agfa-Gevaert

Subtractive 3 color: dye diffusion process, still photography

“Agfa-Gevaert developed its own instant printing materials during the 1980s, Agfachrome-Speed and Copycolor, both introduced commercially in 1983. Agfachrome-Speed was a single-sheet integral print material, whereas Copycolor was a peel-apart. ...

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Fujifilm peel-apart films

1984 –

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Fujifilm Corporation

Subtractive 3 color: dye diffusion process, still photography

“The company also launched its first peel-apart color print films, Fuji FP-100 and Fuji FP-800, which were compatible with Polaroid cameras and camera backs. The image formation of the new peel-apart films was similar to that of Fuji integral ...