Kodak Professional Elite Chrome 200 Film

1993

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Eastman Kodak Company

Subtractive 3 color: chromogenic monopack, reversal

Kodak Professional Elite Chrome 200 Film is a daylight-balanced color reversal film from Kodak’s Elite Chrome product line. With an ISO speed of 200, it is designed for exposure with daylight or electronic flash.

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Eastman Kodak Company (2005): Technical Data, Color Reversal Film. Kodak Professional Elite Chrome 200 Film, 04.2005, p. 4.

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Kodak Professional Elite Chrome 100 Film

1993

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Eastman Kodak Company

Subtractive 3 color: chromogenic monopack, reversal

Kodak Professional Elite Chrome 100 film is a daylight-balanced color reversal film from the Elite Chrome product line. With an ISO speed of 100, it is designed for exposure with daylight or electronic flash. Its RMS granularity value is 8.

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Eastman Kodak Company (2005): Technical Data, Color Reversal Film. Kodak Professional Elite Chrome 100 Film (E-7014E), 04.2005, p. 3.

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Fujichrome Provia 1600 Professional [RSP]

1994

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Fujifilm Corporation

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Japan

Subtractive 3 color: chromogenic monopack, reversal, 35 mm

Fujichrome Provia 1600 Professional [RSP] is a daylight-type color reversal film by the Fujifilm Corporation, designed exclusively for push-processing, with a nominal speed of ISO 1600. It is intended for effective speeds of EI 1600 and EI 3200. It ...

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Fujifilm: Data Sheet, Color Reversal Films. Fujichrome Provia 1600 Professional [RSP] (AF3-798E), p. 6

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Fujichrome Sensia 200 [RM]

1994

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Fujifilm Corporation

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Japan

Subtractive 3 color: chromogenic monopack, reversal, 35 mm

Fujichrome Sensia 200 RM is a daylight ISO 200 color reversal film produced by the Fujifilm Corporation. Production of the Sensia series ceased in 2011 with the discontinuation of the Sensia III 100.

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Fujifilm: Data Sheet, Color Reversal Films. Fujichrome Sensia 200 [RM] (AF3-080E), p. 5.

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Eastman EXR Color Print Film 2386 / 3386

1994

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack

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Fujichrome Sensia 400 [RH]

1994

|

Fujifilm Corporation

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Japan

Subtractive 3 color: chromogenic monopack, reversal, 35 mm

Fujichrome Sensia 400 [RH] is a daylight reversal film with a sensitivity of ISO 400 by the Fujifilm Corporation. Production of the Sensia series ceased in 2011 with the discontinuation of the Sensia III 100.

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Fujifilm: Data Sheet, Color Reversal Films. Fujichrome Sensia 400 [RH] (AF3-081E), p. 5.

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Fujichrome Sensia 100 [RA]

1994

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Fujifilm Corporation

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Japan

Subtractive 3 color: chromogenic monopack, reversal, 35 mm

Fujichrome Sensia 100 [RA] is a daylight-type color reversal film with an ISO speed of 100 by the Fujifilm Corporation. It has an RMS granularity value of 8. Production of the Sensia series ceased in 2011 with the discontinuation of the Sensia III ...

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Fujifilm: Product Information Bulletin, Color Reversal Films. Fujichrome Sensia 100 [RA] (AF3-150E), p. 6.

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Eastman EXR 500T 5298 / 7298 (T)

1994

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack

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Eastman EXR 200T 5287 / 7287 Ultra Latitude (W)

1994

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack, Tungsten, 200 ASA

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Fujichrome Provia 100 Professional [RDP II]

1994

|

Fujifilm Corporation

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Japan

Subtractive 3 color: chromogenic monopack, reversal, 35 mm

Fujichrome Provia 100 Professional [RDP II] is a daylight-type, ISO 100 color reversal film produced by the Fujifilm Corporation. It succeeded the Fujichrome 100 Professional D [RDP], released in March 1983. Its successor is Fujichrome Provia 100F ...

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Fujifilm: Data Sheet, Color Reversal Films. Fujichrome Provia 100 Professional [RDP II] (AF3-796E), p. 6.

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Eastman EXR Primetime 640T Teleproduction Film 5600 (P)

1995

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack, Tungsten, 650 ASA

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Kodak Vision 320T Color Negative Film 5277 / 7277 (Q)

1996

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack, Tungsten, 320 ASA

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Fujicolor Positive Film F-CP 3519

1996

|

(Fuji Photo Film Co., Ltd.)

Subtractive 3 color: Chromogenic monopack

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Kodak Vision 500T Color Negative Film 5279 / 7279 (U)

1996

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack, Tungsten, 500 ASA

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Kodak Vision Premiere Color Print Film 2393

1997

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack

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Eastman Kodak Company (1998): Technical Data, Color Print Film. Kodak Vision, Premier Color Print Film / 2393 (H-1-2393t), 09.1998, p. 5.

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Kodak EXR Primetime 640T Teleproduction Film 5620 / 7620

1997

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack

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Technicolor No. VI: Dye-transfer prints from enhanced process

1997

|

Technicolor

Subtractive 3 color: dye transfer

In 1994, Technicolor announced the development of an enhanced dye-transfer process. This process became effective in June 1997. There was no official denomination, so “Technicolor No. VI” is not to be confused with statements from the mid ...

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Kodak Vision 250D Color Negative Film 5246 / 7246

1997

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack, daylight, 250 ASA

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Kodak Professional Ektachrome Film E200

1997

|

Eastman Kodak Company

Subtractive 3 color: chromogenic monopack, reversal

Kodak Professional Ektachrome Film E200 is a daylight-balanced color reversal film. With an ISO speed of 200, it is designed for use with either daylight or electronic flash. It can be push-processed to an exposure index (EI) of 800.

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Eastman Kodak Company (2005): Technical Data, Color Transparency Film. Kodak Professional Ektachrome Film E200 (E-28), 09.2005, p. 5.

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Kodak Vision 200T Color Negative Film 5274 / 7274

1997

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack, Tungsten, 200 ASA

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Eastman Special Order Print Film SO-886

1997

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack

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Kodak Vision Color Print Film 2383

1997

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack

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Eastman Kodak Company (2026): Technical Data, Color Print Film. Kodak Vision, Color Print Film 2383 / 3383 (H-1-2383), 03.2026, p. 5.

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Ataraxia

1998

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Racey Gilbert

Subtractive 4 color: pigment process, still photography

“In 1998 Racey Gilbert purchased Polaroid’s stock of pigment films and opened Ataraxia Studio in Bensalem, Pennsylvania, to make high-quality collectors’ carbon prints. Under the direction of Gérard Niemetzky, the studio produced ...

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Source: Pénichon, Sylvie (2013): Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation. London, Los Angeles: Thames & Hudson, p. 98.

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Kodak Vision 800T Color Negative Film 5289

1998

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack, Tungsten, 800 ASA

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Kodak SFX 200T Color Negative Film

1998

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack, 35 mm

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Kodak Vision Color Intermediate Film 2242 / 3242

1998

|

Eastman Kodak Company

Subtractive 3 color: Chromogenic monopack

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Fujichrome MS 100/1000 Professional [RMS]

1998

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Fujifilm Corporation

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Japan

Subtractive 3 color: chromogenic monopack, reversal, 35 mm

Fujichrome MS 100/1000 Professional [RMS] is a multi-speed daylight-type color reversal film by the Fujifilm Corporation for professional use. It is usable at its normal rating of EI 100 as well as push-processed up to EI 1000 (+3 1/3 stops). It is ...