Eastman Ektachrome EF, type 5241 / 7241

Although Kodachrome 16mm reversal film was introduced as an amateur film format, rapidly after its introduction it became a format frequently used by (semi-)professional film makers. The reason was that Kodachrome was a relatively easy to use film ...

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Kodachrome Color Reversal Film 5265

1940

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(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm

Duplicating stock for reversal film. Replaced Kodachrome duplicating stock type 5262. Contrary to its predecessor the new stock was not suited as camera material. Type 5265 could only be used for duplication.

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Kodachrome Professional Film Type 5267

1942

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(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm 35mm?

Kodachrome Professional was introduced in 1942 to be used as camera material. It was the Kodachrome material that was blown up to 35mm Technicolor dye transfer prints, which was the Technicolor Monopack system. According to Norris Pope this material ...

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Kodachrome Commercial Type 5268

1946

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(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm

In 1946 Kodachrome Commercial camera film Type 5268 was introduced. This stock had a lower-contrast emulsion and became leading in the professional field until it was replaced by Ektachrome Commercial type 7255 in 1958. Both Commercial Kodachrome and ...

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Eastman Color Print Film 7282

1952

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(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, 16 mm

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Eastman Ektachrome SM, type 7244

1975

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(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, reversal, super 8

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Eastman Ektachrome, type 5285 / 7285

1999

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(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, reversal, daylight, 100 ASA

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Kodak Vision Color Intermediate Film 5242 / 7242

1998

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(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack

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Eastman Ektachrome, type A

1971

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(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, reversal, super 8, Tungsten, 160 ASA

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Kodachrome II

1961

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(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack, reversal, 16 mm, 25 to 40 ASA

Kodachrome II was introduced in 1961. It was the first film stock since 1936 that was specifically meant for amateur use. Eastman Kodak presented the material as superior to the ‘regular Kodachrome’. It supposedly had a higher speed of 25 ...

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La perception et l'imaginaire (FRA 1964, Éric Duvivier). Credit: Image'Est. Photographs of the Kodachrome II camera material by Bregt Lameris, ERC Advanced Grant FilmColors.
Les autopathes (FRA 1971, Éric Duvivier). Credit: Image'Est. Photographs of the kodachrome reversal by Bregt Lameris, ERC Advanced Grant FilmColors.
Hallucinations: Images du monde visionnaire (FRA 1963, Éric Duvivier). Credit: Image'Est. Photographs of undated Kodachrome II projection print by Bregt Lameris, ERC Advanced Grant FilmColors.

84 Images in 5 Galleries

Eastman Color Negative, type 3251

1967

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(Eastman Kodak)

Subtractive 3 color: Chromogenic monopack

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Agfacolor Negative

1951

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(Farbenfabriken Bayer AG, dept. Agfa Photoverkauf, Leverkusen)

Subtractive 3 color: Chromogenic monopack, daylight

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Agfacolor Negative, type 2

1952

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(Farbenfabriken Bayer AG, dept. Agfa Photoverkauf, Leverkusen)

Subtractive 3 color: Chromogenic monopack, daylight

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Agfacolor L

1951

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(Farbenfabriken Bayer AG, dept. Agfa Photoverkauf, Leverkusen)

Subtractive 3 color: Chromogenic monopack

L stands for the Leverkusen brand of Agfacolor. N for negative, K for tungsten (Kunstlicht) and T for daylight (Tageslicht).

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Credit: By courtesy of Deutsche Kinemathek, Berlin. Photograph by Barbara Flueckiger. Film: Commercial Denkt rechtzeitig daran (GER 1952).
Credit: By courtesy of Deutsche Kinemathek, Berlin. Photograph by Barbara Flueckiger. Film: 1/50 Sekunde, commercial for Niggemeyer Foto/Kino (1952).

13 Images in 2 Galleries

Ferrania color / Ferraniacolor / 3M color

1949

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(Ferrania)

Subtractive 3 color: Chromogenic monopack

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Faded Ferraniacolor positive from Eastmancolor negative, anamorphic (1:2,35). Credit: Národní filmový archiv / National Film Archive, Prague. Film: Smrt v sedle (Jindřich Polák, Czechoslovakia 1958).
Faded Ferraniacolor positive from Eastmancolor negative, anamorphic (1:2,35). Credit: Národní filmový archiv / National Film Archive, Prague. Film: Smrt v sedle (Jindřich Polák, Czechoslovakia 1958).
Faded Ferraniacolor positive from Eastmancolor negative, anamorphic (1:2,35). Credit: Národní filmový archiv / National Film Archive, Prague. Film: Smrt v sedle (Jindřich Polák, Czechoslovakia 1958).
Faded Ferraniacolor positive from Eastmancolor negative, anamorphic (1:2,35). Credit: Národní filmový archiv / National Film Archive, Prague. Film: Smrt v sedle (Jindřich Polák, Czechoslovakia 1958).
Faded Ferraniacolor positive from Eastmancolor negative, anamorphic (1:2,35). Credit: Národní filmový archiv / National Film Archive, Prague. Film: Smrt v sedle (Jindřich Polák, Czechoslovakia 1958).
Faded Ferraniacolor positive from Eastmancolor negative, anamorphic (1:2,35). Credit: Národní filmový archiv / National Film Archive, Prague. Film: Smrt v sedle (Jindřich Polák, Czechoslovakia 1958).
Faded Ferraniacolor positive from Eastmancolor negative, anamorphic (1:2,35). Credit: Národní filmový archiv / National Film Archive, Prague. Film: Smrt v sedle (Jindřich Polák, Czechoslovakia 1958).

217 Images in 8 Galleries

Ferrania Type HS Color Release Positive

1968

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(Ferrania)

Subtractive 3 color: Chromogenic monopack

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Ferraniacolor, type 54

1954

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(Ferrania)

Subtractive 3 color: Chromogenic monopack

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Ferraniacolor Cine Universal

1962

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(Ferrania)

Subtractive 3 color: Chromogenic monopack

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Fomacolor

1957

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(Fotochema)

Subtractive 3 color: Chromogenic monopack

A chromogenic process based on Agfacolor, see detail page Agfacolor Neu / Agfacolor.

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Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jen počkej X (Nu, pogodi!) (Vjačeslav Kotěnočkin, USSR, 1976).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
Credit: Národní filmový archiv / National Film Archive, Prague. Film: Jak se Žofka postarala o svatbu (Adolf Born, Jaroslav Doubrava, Miloš Macourek, Czechoslovakia 1988).
Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).
Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).
Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).
Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).
Eastmancolor negative on Fomacolor positive. Credit: Národní filmový archiv / National Film Archive, Prague. Film: Slunečná laguna (Mirko Kačena, Czechoslovakia 1990).

18 Images

Fujicolor

1949

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(Fuji Photo Film Co., Ltd.)

Subtractive 3 color: Chromogenic monopack reversal (from 1949), negative/positive process (from 1955)

“The Fujicolor process is a three-color subtractive negative/positive process introduced in 1955 by the Fuji Photo Film Co., Ltd., Tokyo, Japan. When the process was introduced it consisted of two elements that could be used singly or together. ...

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Don't Look Now (GBR / ITA 1973, Nicolas Roeg). Credit: BFI National Film Archive. Photographs of the faded Fujicolor HP Positive Film Type 8813 by Joëlle Kost, ERC Advanced Grant FilmColors.